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Today's Stichomancy for Michelangelo

The first excerpt represents the past or something you must release, and is drawn from From London to Land's End by Daniel Defoe:

Haven. It is certainly, next to Milford Haven in South Wales, the fairest and best road for shipping that is in the whole isle of Britain, whether be considered the depth of water for above twenty miles within land; the safety of riding, sheltered from all kind of winds or storms; the good anchorage; and the many creeks, all navigable, where ships may run in and be safe; so that the like is nowhere to be found.

There are six or seven very considerable places upon this haven and the rivers from it--viz., Grampound, Tregony, Truro, Penryn, Falmouth, St. Maws, and Pendennis. The three first of these send members to Parliament. The town of Falmouth, as big as all the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lin McLean by Owen Wister:

riding, and this chance made a stir which the sister may have taken for cordiality. But Lin gave me a look; for it was the same here as it had been in the Buffalo saloon.

"The trick is easy enough," said Nate, arriving with his outlaw, and liking an audience. "You don't want a bridle, but a rope hackamore like this--Spanish style. Then let them run as hard as they want, and on a sudden reach down your arm and catch the hackamore short, close up by the mouth, and jerk them round quick and heavy at full speed. They quit their fooling after one or two doses. Now watch your outlaw!"

He went into the saddle so swift and secure that the animal, amazed, trembled stock-still, then sprang headlong. It stopped, vicious and

The third excerpt represents the future or something you must embrace, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

the house of the Phellions, just as much as Cerizet's frogged coat was the necessary complement of his personality.

This dwelling was stuck against the side of a large house, but only to the depth of one room (about twenty feet or so), and terminated at each end in a sort of pavilion with one window. Its chief charm was a garden, one hundred and eighty feet square, longer than the facade of the house by the width of a courtyard which opened on the street, and a little clump of lindens. Beyond the second pavilion, the courtyard had, between itself and the street, an iron railing, in the centre of which was a little gate opening in the middle.

This building, of rouge stone covered with stucco, and two storeys in