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Today's Stichomancy for Michelangelo

The first excerpt represents the past or something you must release, and is drawn from Prince Otto by Robert Louis Stevenson:

with falling, and marvelled to see that she was dirty, and could not grow to believe that she had gone so long in such a strange disorder.

Then, with a sigh, she addressed herself to make a toilette by that forest mirror, washed herself pure from all the stains of her adventure, took off her jewels and wrapped them in her handkerchief, re-arranged the tatters of her dress, and took down the folds of her hair. She shook it round her face, and the pool repeated her thus veiled. Her hair had smelt like violets, she remembered Otto saying; and so now she tried to smell it, and then shook her head, and laughed a little, sadly, to herself.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life in the Iron-Mills by Rebecca Davis:

their brawny muscles. He was a stranger in the city,--spending a couple of months in the borders of a Slave State, to study the institutions of the South,--a brother-in-law of Kirby's,-- Mitchell. He was an amateur gymnast,--hence his anatomical eye; a patron, in a blase' way, of the prize-ring; a man who sucked the essence out of a science or philosophy in an indifferent, gentlemanly way; who took Kant, Novalis, Humboldt, for what they were worth in his own scales; accepting all, despising nothing, in heaven, earth, or hell, but one-idead men; with a temper yielding and brilliant as summer water, until his Self was touched, when it was ice, though brilliant still. Such men are


Life in the Iron-Mills
The third excerpt represents the future or something you must embrace, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

MRS. HARDCASTLE. That's false; I never see you when you're in spirits. No, Tony, you then go to the alehouse or kennel. I'm never to be delighted with your agreeable wild notes, unfeeling monster!

TONY. Ecod! mamma, your own notes are the wildest of the two.

MRS. HARDCASTLE. Was ever the like? But I see he wants to break my heart, I see he does.

HASTINGS. Dear madam, permit me to lecture the young gentleman a little. I'm certain I can persuade him to his duty.

MRS. HARDCASTLE. Well, I must retire. Come, Constance, my love. You see, Mr. Hastings, the wretchedness of my situation: was ever poor woman so plagued with a dear sweet, pretty, provoking, undutiful boy?


She Stoops to Conquer