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Today's Stichomancy for Michelangelo

The first excerpt represents the past or something you must release, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

turned the disadvantage on Boffin, who felt that he had committed himself in a very painful manner.

I am willing to let Mr Wegg drop it on these terms, provided I am allowed to mention here that Mrs Warren's Profession is a play for women; that it was written for women; that it has been performed and produced mainly through the determination of women that it should be performed and produced; that the enthusiasm of women made its first performance excitingly successful; and that not one of these women had any inducement to support it except their belief in the timeliness and the power of the lesson the play teaches. Those who were "surprised to see ladies present"

The second excerpt represents the present or the deciding factor of the moment, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

copying the portrait without its black velvet cap and gray beard, and have given him a modern coat and satin cravat, instead of his cloak and band. I don't think him improved by your alterations."

"You would have seen other differences had you looked a little longer," said Holgrave, laughing, yet apparently much struck. "I can assure you that this is a modern face, and one which you will very probably meet. Now, the remarkable point is, that the original wears, to the world's eye,--and, for aught I know, to his most intimate friends,--an exceedingly pleasant countenance, indicative of benevolence, openness of heart, sunny good-humor, and other praiseworthy qualities of that cast. The sun, as you see,


House of Seven Gables
The third excerpt represents the future or something you must embrace, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

education and the dress you have on your back. Dont turn up your nose at business, Miss Vivie: where would your Newnhams and Girtons be without it?

VIVIE [rising, almost beside herself] Take care. I know what this business is.

CROFTS [starting, with a suppressed oath] Who told you?

VIVIE. Your partner. My mother.

CROFTS [black with rage] The old--

VIVIE. Just so.

[He swallows the epithet and stands for a moment swearing and raging foully to himself. But he knows that his cue is to be