Today's Stichomancy for Michelangelo

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

with his single rykor which we found all but starved to death in the pits of Manator. But come! No more questions now."

I accompanied him to the east arcade where the red dawn was glowing beyond the arches.

"Good-bye!" he said.

"I can scarce believe that it is really you," I exclaimed. "Tomorrow I will be sure that I have dreamed all this."

He laughed and drawing his sword scratched a rude cross upon the concrete of one of the arches.

"If you are in doubt tomorrow," he said, "come and see if you dreamed this."

The Chessmen of Mars

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

Nonestic Ocean, from which it is separated by the Kingdom of Rinkitink and the Country of the Wheelers, which is a part of the Land of Ev. Rinkitink's country is separated from the country of the Nomes by a row of high and steep mountains, from which it extends to the sea. The Country of the Wheelers is a sandy waste that is open on one side to the Nonestic Ocean and on the other side has no barrier to separate it from the Nome Country, therefore it was on the coast of the Wheelers that King Cos landed -- in a spot quite deserted by any of the curious inhabitants of that country.

Rinkitink In Oz

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pride and Prejudice by Jane Austen:

gallantry; "and I am persuaded that when sanctioned by the express authority of both your excellent parents, my proposals will not fail of being acceptable."

To such perseverance in wilful self-deception Elizabeth would make no reply, and immediately and in silence withdrew, determined, that if he persisted in considering her repeated refusals as flattering encouragement, to apply to her father, whose negative might be uttered in such a manner as to be decisive, and whose behavior at least could not be mistaken for the affectation and coquetry of an elegant female.

Chapter 20

Pride and Prejudice

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

Good-bye, Mr. Gray. Come and see me some afternoon in Curzon Street. I am nearly always at home at five o'clock. Write to me when you are coming. I should be sorry to miss you."

"Basil," cried Dorian Gray, "if Lord Henry Wotton goes, I shall go, too. You never open your lips while you are painting, and it is horribly dull standing on a platform and trying to look pleasant. Ask him to stay. I insist upon it."

"Stay, Harry, to oblige Dorian, and to oblige me," said Hallward, gazing intently at his picture. "It is quite true, I never talk when I am working, and never listen either, and it must be dreadfully tedious for my unfortunate sitters. I beg you to stay."

The Picture of Dorian Gray