| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rape of Lucrece by William Shakespeare: While lust is in his pride no exclamation
Can curb his heat, or rein his rash desire,
Till, like a jade, self-will himself doth tire.
And then with lank and lean discolour'd cheek,
With heavy eye, knit brow, and strengthless pace,
Feeble desire, all recreant, poor, and meek,
Like to a bankrupt beggar wails his case:
The flesh being proud, desire doth fight with Grace,
For there it revels; and when that decays,
The guilty rebel for remission prays.
So fares it with this faultful lord of Rome,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from When the Sleeper Wakes by H. G. Wells: eight miles--simply because that eight mile marketing
journey, four there and back, was as much as was
comfortable for the farmer. But directly the railways
came into play, and after them the light railways, and
all the swift new motor cars that had replaced waggons
and horses, and so soon as the high roads began to
be made of wood, and rubber, and Eadhamite, and
all sorts of elastic durable substances--the necessity
of having such frequent market towns disappeared.
And the big towns grew. They drew the worker with
the gravitational force of seemingly endless work, the
 When the Sleeper Wakes |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Journey to the Center of the Earth by Jules Verne: for one moment, for fear of losing the least glimmer of this precious
light. Every instant it seemed about to vanish and the dense
blackness to come rolling in palpably upon me.
One last trembling glimmer shot feebly up. I watched it in trembling
and anxiety; I drank it in as if I could preserve it, concentrating
upon it the full power of my eyes, as upon the very last sensation of
light which they were ever to experience, and the next moment I lay
in the heavy gloom of deep, thick, unfathomable darkness.
A terrible cry of anguish burst from me. Upon earth, in the midst of
the darkest night, light never abdicates its functions altogether. It
is still subtle and diffusive, but whatever little there may be, the
 Journey to the Center of the Earth |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato: Bishop Wilkins, are chiefly useful in showing what language is not. The
study of any foreign language may be made also a study of Comparative
Philology. There are several points, such as the nature of irregular
verbs, of indeclinable parts of speech, the influence of euphony, the decay
or loss of inflections, the elements of syntax, which may be examined as
well in the history of our own language as of any other. A few well-
selected questions may lead the student at once into the heart of the
mystery: such as, Why are the pronouns and the verb of existence generally
more irregular than any other parts of speech? Why is the number of words
so small in which the sound is an echo of the sense? Why does the meaning
of words depart so widely from their etymology? Why do substantives often
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