Today's Stichomancy for Michelle Yeoh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Emerald City of Oz by L. Frank Baum:

could see all of him, she gazed at the creature in surprise. He was a good sized white rabbit with pink eyes, much like all other white rabbits. But the astonishing thing about him was the manner in which he was dressed. He wore a white satin jacket embroidered with gold, and having diamond buttons. His vest was rose-colored satin, with tourmaline buttons. His trousers were white, to correspond with the jacket, and they were baggy at the knees--like those of a zouave--being tied with knots of rose ribbons. His shoes were of white plush with diamond buckles, and his stockings were rose silk.

The richness and even magnificence of the rabbit's clothing made Dorothy stare at the little creature wonderingly. Toto and Billina

The Emerald City of Oz

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

found his true service and pleasure in the more congenial business of the manager. Augier, Racine, Shakespeare, Aristophanes in Hookham Frere's translation, Sophocles and AEschylus in Lewis Campbell's, such were some of the authors whom he introduced to his public. In putting these upon the stage, he found a thousand exercises for his ingenuity and taste, a thousand problems arising which he delighted to study, a thousand opportunities to make these infinitesimal improvements which are so much in art and for the artist. Our first Greek play had been costumed by the professional costumer, with unforgetable results of comicality and indecorum: the second, the TRACHINIAE, of Sophocles, he took in hand himself,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alexandria and her Schools by Charles Kingsley:

die.

The culmination of all this confusion we see in Proclus. The unfortunate Hypatia, who is the most important personage between him and Iamblichus, has left no writings to our times; we can only judge of her doctrine by that of her instructors and her pupils. Proclus was taught by the men who had heard her lecture; and the golden chain of the Platonic succession descended from her to him. His throne, however, was at Athens, not at Alexandria. After the murder of the maiden philosopher, Neoplatonism prudently retired to Greece. But Proclus is so essentially the child of the Alexandrian school that we cannot pass him over. Indeed, according to M. Cousin, as I am credibly informed, he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Importance of Being Earnest by Oscar Wilde:

[They retire into the house with scornful looks.]

JACK. This ghastly state of things is what you call Bunburying, I suppose?

ALGERNON. Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life.

JACK. Well, you've no right whatsoever to Bunbury here.

ALGERNON. That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.

JACK. Serious Bunburyist! Good heavens!

ALGERNON. Well, one must be serious about something, if one wants to have any amusement in life. I happen to be serious about