Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mick Jagger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

three other men in the room, and we all fell to eating bread and butter, to which he gave us very good ale and sack. And as I was sitting there, there was one that looked like a country fellow sat just by me, who, talking, gave so particular an account of the battle of Worcester to the rest of the company that I concluded he must be one of Cromwell's soldiers. But I, asking how he came to give so good an account of that battle, he told me he was in the King's regiment, by which I thought he meant one Colonel King's regiment. But questioning him further, I perceived he had been in my regiment of Guards, in Major Broughton's company--that was my Major in the battle. I asked

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Scaramouche by Rafael Sabatini:

own heart. I love a man who can discern my merit. If Pantaloon had half your wit, we should have Burgundy to-night in spite of the flight of Cordemais."

"Burgundy?" roared M. Binet, and before he could get farther Harlequin had clapped his hands together.

"That is the spirit, M. Binet. You heard him, landlady. He called for Burgundy."

"I called for nothing of the kind."

"But you heard him, dear madame. We all heard him."

The others made chorus, whilst Scaramouche smiled at him, and patted his shoulder.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ursula by Honore de Balzac:

of the faithful. The old neophyte understood the eternal symbol attached to that sacred nourishment, which faith renders needful to the soul after conveying to it her own profound and radiant essence. When on leaving the church he had seemed in a hurry to get home, it was merely that he might once more thank his dear child for having led him to "enter religion,"--the beautiful expression of former days. He was holding her on his knee in the salon and kissing her forehead sacredly at the very moment when his relatives were degrading that saintly influence with their shameless fears, and casting their vulgar insults upon Ursula. His haste to return home, his assumed disdain for their company, his sharp replies as he left the church were naturally