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Today's Stichomancy for Mick Jagger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pellucidar by Edgar Rice Burroughs:

ing me an instant in which to snatch a knife from the loin-string of him who had first fallen and account for another of them. Almost simultaneously the hyaenodon pulled down the remaining enemy, crushing his skull with a single bite of those fearsome jaws.

The battle was over--unless the beast considered me fair prey, too. I waited, ready for him with knife and bludgeon--also filched from a dead foeman; but he paid no attention to me, falling to work instead to devour one of the corpses.

The beast bad been handicapped but little by his


Pellucidar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

of Castle Hill mansion-house, the sinking sun showed luridly through two rifts of cloud, and then the swift motion of the nearer vapor veiled both sun and cloud, and banished them into almost equal remoteness.

Leaving the beach on their right, and passing the high rocks of the Pirate's Cave, they presently descended to the water's edge once more. The cliffs rose to a distorted height in the dimness; sprays of withered grass nodded along the edge, like Ossian's spectres. Light seemed to be vanishing from the universe, leaving them alone with the sea. And when a solitary loon uttered his wild cry, and rising, sped away into the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

"Not at all," replied Carley. "You have no idea how much it means to me to be permitted to help you. Before I forget, I must ask you, can you cash that check here in New York?"

"Not unless you identify me," he said, ruefully, "I don't know anyone I could ask."

"Well, when you leave here go at once to my bank--it's on Thirty-fourth Street--and I'll telephone the cashier. So you'll not have any difficulty. Will you leave New York at once?"

"I surely will. It's an awful place. Two years ago when I came here with my company I thought it was grand. But I guess I lost something over there. . . . I want to be where it's quiet. Where I won't see many people."


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

which he breathed. It must have been a good change for this art critic to be the playmate of Mary Macdonald, their gardener's daughter at Barjarg, and to sup with her family on potatoes and milk; and Fleeming himself attached some value to this early and friendly experience of another class.

His education, in the formal sense, began at Jedburgh. Thence he went to the Edinburgh Academy, where he was the classmate of Tait and Clerk Maxwell, bore away many prizes, and was once unjustly flogged by Rector Williams. He used to insist that all his bad schoolfellows had died early, a belief amusingly characteristic of the man's consistent optimism. In 1846 the mother and son