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Today's Stichomancy for Mick Jagger

The first excerpt represents the past or something you must release, and is drawn from The Taming of the Shrew by William Shakespeare:

Take you your instrument, play you the whiles; His lecture will be done ere you have tun'd.

HORTENSIO. You'll leave his lecture when I am in tune?

[Retires.]

LUCENTIO. That will be never: tune your instrument.

BIANCA. Where left we last?

LUCENTIO. Here, madam:--


The Taming of the Shrew
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Adieu by Honore de Balzac:

ran, with delirious emotion, over the snow to the banks of the river; she saw the burned bivouacs and the charred remains of the bridge, and the fatal raft, which the men were launching into the icy waters of the Beresina. The major, Philippe, was there, striking back the crowd with his sabre. Madame de Vandieres gave a cry, which went to all hearts, and threw herself before the colonel, whose heart beat wildly. She seemed to gather herself together, and, at first, looked vaguely at the singular scene. For an instant, as rapid as the lightning's flash, her eyes had that lucidity, devoid of mind, which we admire in the eye of birds; then passing her hand across her brow with the keen expression of one who meditates, she contemplated the living memory of

The third excerpt represents the future or something you must embrace, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

opposite wall eyeing me with varying expressions of curiosity, sullen rage, surprise, and hope.

The latter emotion seemed plainly evident upon the handsome and intelligent face of the young red Martian woman whose cry of warning had been instrumental in saving my life.

She was the perfect type of that remarkably beautiful race whose outward appearance is identical with the more god-like races of Earth men, except that this higher race of Martians is of a light reddish copper colour. As she was entirely unadorned I could not even guess her station in life, though it was evident that she was either a prisoner or slave in her


The Gods of Mars