| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey: "Not at all," replied Carley. "You have no idea how much it means to me to
be permitted to help you. Before I forget, I must ask you, can you cash
that check here in New York?"
"Not unless you identify me," he said, ruefully, "I don't know anyone I
could ask."
"Well, when you leave here go at once to my bank--it's on Thirty-fourth
Street--and I'll telephone the cashier. So you'll not have any difficulty.
Will you leave New York at once?"
"I surely will. It's an awful place. Two years ago when I came here with my
company I thought it was grand. But I guess I lost something over there. .
. . I want to be where it's quiet. Where I won't see many people."
 The Call of the Canyon |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson: which he breathed. It must have been a good change for this art
critic to be the playmate of Mary Macdonald, their gardener's
daughter at Barjarg, and to sup with her family on potatoes and
milk; and Fleeming himself attached some value to this early and
friendly experience of another class.
His education, in the formal sense, began at Jedburgh. Thence he
went to the Edinburgh Academy, where he was the classmate of Tait
and Clerk Maxwell, bore away many prizes, and was once unjustly
flogged by Rector Williams. He used to insist that all his bad
schoolfellows had died early, a belief amusingly characteristic of
the man's consistent optimism. In 1846 the mother and son
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