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Today's Stichomancy for Mike Myers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Allan Quatermain by H. Rider Haggard:

may mean little or nothing. In short, the origin of the Zu-Vendi is lost in the mists of time. Whence they came or of what race they are no man knows. Their architecture and some of their sculptures suggest an Egyptian or possibly an Assyrian origin; but it is well known that their present remarkable style of building has only sprung up within the last eight hundred years, and they certainly retain no traces of Egyptian theology or customs. Again, their appearance and some of their habits are rather Jewish; but here again it seems hardly conceivable that they should have utterly lost all traces of the Jewish religion. Still, for aught I know, they may be one of the lost ten tribes whom people are


Allan Quatermain
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

So he sat and watched. And at one o'clock the mill wheel began turning. It was easy to count the revolutions by the red wing. Nine times it turned, and stopped. After five minutes or so it turned again, thirty times. Henri smiled: an ugly smile.

"A good guess," he said to himself. "But it must be more than a guess."

His work for the afternoon was done. Still with the bent-kneed swing he struck back to the road, and avoiding the crossroads, went across more fields to a lane where Jean waited with the car. Henri took a plunge into the canal when he had removed his French uniform, and producing a towel from under a hush rubbed himself dry. His lean boyish body

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Madam How and Lady Why by Charles Kingsley:

But since then strange discoveries have been made, especially by the naval officers who surveyed the bottom of the great Atlantic Ocean before laying down the electric cable between Ireland and America. And this is what they found:

That at the bottom of the Atlantic were vast plains of soft mud, in some places 2500 fathoms (15,000 feet) deep; that is, as deep as the Alps are high. And more: they found out, to their surprise, that the oozy mud of the Atlantic floor was made up almost entirely of just the same atomies as make up our chalk, especially globigerinas; that, in fact, a vast bed of chalk was now forming at the bottom of the Atlantic, with living shells and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

by Mr Harris. Will it really stand fire? Mr Harris emphasizes the passages in which Shakespear spoke of mechanics and even of small master tradesmen as base persons whose clothes were greasy, whose breath was rank, and whose political imbecility and caprice moved Coriolanus to say to the Roman Radical who demanded at least "good words" from him

He that will give good words to thee will flatter Beneath abhorring. But let us be honest. As political sentiments these lines are an abomination to every democrat. But suppose they are not political