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Today's Stichomancy for Mike Myers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

which I had immediately done, was what was expected of me. "Then accept from Talu, Prince of Marentina," said the yellow man, "this token of my gratitude," and reaching beneath one of his wide sleeves he withdrew a bracelet and placed it upon my arm. He then went through the same ceremony with Thuvan Dihn. Next he asked our names, and from what land we hailed. He seemed quite familiar with the geography of the outerworld, and when I said I was from Helium he raised his brows.


The Warlord of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Romeo and Juliet by William Shakespeare:

In such a gorgeous Pallace

Nur. There's no trust, no faith, no honestie in men, All periur'd, all forsworne, all naught, all dissemblers, Ah where's my man? giue me some Aqua-vitae? These griefes, these woes, these sorrowes make me old: Shame come to Romeo

Iul. Blister'd be thy tongue For such a wish, he was not borne to shame: Vpon his brow shame is asham'd to sit; For 'tis a throane where Honour may be Crown'd Sole Monarch of the vniuersall earth:


Romeo and Juliet
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Othello by William Shakespeare:

Why this should be. I therefore vouch againe, That with some Mixtures, powrefull o're the blood, Or with some Dram, (coniur'd to this effect) He wrought vpon her. To vouch this, is no proofe, Without more wider, and more ouer Test Then these thin habits, and poore likely-hoods Of moderne seeming, do prefer against him

Sen. But Othello, speake, Did you, by indirect, and forced courses Subdue, and poyson this yong Maides affections?


Othello
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Goriot by Honore de Balzac:

hell seemed to gleam from his eyes. In that flash the real Vautrin shone forth, revealed at once before them all; they understood his past, his present, and future, his pitiless doctrines, his actions, the religion of his own good pleasure, the majesty with which his cynicism and contempt for mankind invested him, the physical strength of an organization proof against all trials. The blood flew to his face, and his eyes glared like the eyes of a wild cat. He started back with savage energy and a fierce growl that drew exclamations of alarm from the lodgers. At that leonine start the police caught at their pistols under cover of the general clamor. Collin saw the


Father Goriot