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Today's Stichomancy for Mikhail Gorbachev

The first excerpt represents the past or something you must release, and is drawn from The Faith of Men by Jack London:

wasted hands and washed them in the warmth.

Then his gaze fell on the dog, and the old light blazed back in his eyes. He touched the missionary lightly on the arm. "Mon pere, dat is one beeg devil, dat Batard. You will bring me one pistol, so, dat Ah drink de sun in peace."

And thenceforth for many days he sat in the sun before the cabin door. He never dozed, and the pistol lay always across his knees. Batard had a way, the first thing each day, of looking for the weapon in its wonted place. At sight of it he would lift his lip faintly in token that he understood, and Leclere would lift his own lip in an answering grin. One day the missionary took note of the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

ferocity, and spite of her nine hundred years, backed by unguessable ages of fierce and brutal ancestors.

The other woman was less cruel because she was entirely indifferent; if the prisoner had been left to her alone, and fortunately she was at night, she would have received no harsh treatment, nor, by the same token would she have received any attention at all.

As Lorquas Ptomel raised his eyes to address the prisoner they fell on me and he turned to Tars Tarkas with a word, and gesture of impatience. Tars Tarkas made some reply which I could not catch, but which caused Lorquas Ptomel to

The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

on the day of my arrival at the house, I had no desire to oppose what I regarded as at best but a harmless, and by no means an unnatural, precaution.

At the request of Usher, I personally aided him in the arrangements for the temporary entombment. The body having been encoffined, we two alone bore it to its rest. The vault in which we placed it (and which had been so long unopened that our torches, half smothered in its oppressive atmosphere, gave us little opportunity for investigation) was small, damp, and entirely without means of admission for light; lying, at great depth, immediately beneath that portion of the building in which


The Fall of the House of Usher