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Today's Stichomancy for Mikhail Gorbachev

The first excerpt represents the past or something you must release, and is drawn from The Underground City by Jules Verne:

embattled towers, is not unlike some handsome country house. But let us pursue our way. There, just above the ancient Abbey of Holyrood, are the superb cliffs called Salisbury Crags. Arthur's Seat rises above them, and that is where we are going. From the summit of Arthur's Seat, Nell, your eyes shall behold the sun appear above the horizon seaward."

They entered the King's Park, then, gradually ascending they passed across the Queen's Drive, a splendid carriageway encircling the hill, which we owe to a few lines in one of Sir Walter Scott's romances.

Arthur's Seat is in truth only a hill, seven hundred and fifty feet high, which stands alone amid surrounding heights.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from To-morrow by Joseph Conrad:

tune, he resembled a deposed sea-god who had ex- changed the trident for the spade.

"And he must look upon you as already pro- vided for, in a manner. That's the best of it with the girls. The husbands . . ." He winked. Miss Bessie, absorbed in her knitting, coloured faintly.

"Bessie! my hat!" old Carvil bellowed out sud- denly. He had been sitting under the tree mute and motionless, like an idol of some remarkably monstrous superstition. He never opened his mouth but to howl for her, at her, sometimes about


To-morrow
The third excerpt represents the future or something you must embrace, and is drawn from The Lily of the Valley by Honore de Balzac:

several stupid replies induced by the tumults of passion, but no one perceived their cause, not even SHE, who knew nothing of love. The rest of my visit was a dream, a dream which did not cease until by moonlight on that warm and balmy night I recrossed the Indre, watching the white visions that embellished meadows, shores, and hills, and listening to the clear song, the matchless note, full of deep melancholy and uttered only in still weather, of a tree-frog whose scientific name is unknown to me. Since that solemn evening I have never heard it without infinite delight. A sense came to me then of the marble wall against which my feelings had hitherto dashed themselves. Would it be always so? I fancied myself under some fatal


The Lily of the Valley