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Today's Stichomancy for Mitt Romney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Redheaded Outfield by Zane Grey:

voices were conspicuously hoarse.

When Madge entered the hotel parlor that evening she found her uncle with guests and among them was Burns Carroll. The presence of the handsome giant affected Madge more impellingly than ever before, yet in some inexplicably different way. She found herself trembling; she sensed a crisis in her feelings for this man and it frightened her. She became conscious suddenly that she had always been afraid of him. Watching Carroll receive the congratulations of


The Redheaded Outfield
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sons and Lovers by D. H. Lawrence:

And some of this would be true. The pit-manager was not an educated man. He had been a boy along with Morel, so that, while the two disliked each other, they more or less took each other for granted. But Alfred Charlesworth did not forgive the butty these public-house sayings. Consequently, although Morel was a good miner, sometimes earning as much as five pounds a week when he married, he came gradually to have worse and worse stalls, where the coal was thin, and hard to get, and unprofitable.

Also, in summer, the pits are slack. Often, on bright sunny mornings, the men are seen trooping home again at ten, eleven, or twelve o'clock. No empty trucks stand at the pit-mouth. The women on the


Sons and Lovers
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Red Inn by Honore de Balzac:

inserted into holes made in the window casings. For greater security, two bolts were screwed to each shutter. Prosper accidentally noticed the manner in which the landlord managed these obstacles and opened the window.

As I am now speaking of localities, this is the place to describe to you the interior arrangements of the inn; for, on an accurate knowledge of the premises depends an understanding of my tale. The public room in which the three persons I have named to you were sitting, had two outer doors. One opened on the main road to Andernach, which skirts the Rhine. In front of the inn was a little wharf, to which the boat hired by the merchant for his journey was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of Writing by Robert Louis Stevenson:

own Alan Breck. Presently, however, it began to occur to me it would be like my Master to curry favour with the Prince's Irishmen; and that an Irish refugee would have a particular reason to find himself in India with his countryman, the unfortunate Lally. Irish, therefore, I decided he should be, and then, all of a sudden, I was aware of a tall shadow across my path, the shadow of Barry Lyndon. No man (in Lord Foppington's phrase) of a nice morality could go very deep with my Master: in the original idea of this story conceived in Scotland, this companion had been besides intended to be worse than the bad elder son with whom (as it was then meant)