Today's Stichomancy for Moby

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Georgics by Virgil:

The sturdy rustics' weapons, what they are, Without which, neither can be sown nor reared The fruits of harvest; first the bent plough's share And heavy timber, and slow-lumbering wains Of the Eleusinian mother, threshing-sleighs And drags, and harrows with their crushing weight; Then the cheap wicker-ware of Celeus old, Hurdles of arbute, and thy mystic fan, Iacchus; which, full tale, long ere the time Thou must with heed lay by, if thee await Not all unearned the country's crown divine.

Georgics

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Master and Man by Leo Tolstoy:

of snow. But Nikita though chilled through was still alive. When he had been brought to, he felt sure that he was already dead and that what was taking place with him was no longer happening in this world but in the next. When he heard the peasants shouting as they dug him out and rolled the frozen body of Vasili Andreevich from off him, he was at first surprised that in the other world peasants should be shouting in the same old way and had the same kind of body, and then when he realized that he was still in this world he was sorry rather than glad, especially when he found that the toes on both his feet were frozen.

Master and Man

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lin McLean by Owen Wister:

piece of furniture to put inside it. And I guess she knows there's not much wooden furniture about me. I want to speak to you." He took the Virginian round the corner. But though he would not confide in me, I began to discern something quite definite at supper.

"Cattle men will lose stock if the Crows get down as far as this," he said, casually, and Mrs. Taylor suppressed a titter.

"Ain't it hawses the're repawted as running off?" said the Virginian.

"Chap come into the round-up this afternoon," said Lin. "But he was rattled, and told a heap o' facts that wouldn't square."

"Of course they wouldn't," said Tommy, haughtily.

"Oh, there's nothing in it," said Lin, dismissing the subject.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sesame and Lilies by John Ruskin:

joining them--not by thinking about them.

You sent for me to talk to you of art; and I have obeyed you in coming. But the main thing I have to tell you is,--that art must not be talked about. The fact that there is talk about it at all, signifies that it is ill done, or cannot be done. No true painter ever speaks, or ever has spoken, much of his art. The greatest speak nothing. Even Reynolds is no exception, for he wrote of all that he could not himself do, and was utterly silent respecting all that he himself did.

The moment a man can really do his work he becomes speechless about it. All words become idle to him--all theories.