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Today's Stichomancy for Moby

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Noble Kinsmen by William Shakespeare:

2. FRIEND.

No, would she did.

DAUGHTER.

You are master of a Ship?

IAILOR.

Yes.

DAUGHTER.

Wher's your Compasse?

IAILOR.

Heere.

DAUGHTER.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madame Firmiani by Honore de Balzac:

ineffable atmosphere of elegance that surrounded her. One must needs have studied the transitions of an evening in a Parisian salon to appreciate the imperceptible lights and shades which color a woman's face and vary it. There comes a moment when, content with her toilet, pleased with her own wit, delighted to be admired, and feeling herself the queen of a salon full of remarkable men who smile to her, the Parisian woman reaches a full consciousness of her grace and charm; her beauty is enhanced by the looks she gathers in,--a mute homage which she transfers with subtle glances to the man she loves. At moments like these a woman is invested with supernatural power and becomes a magician, a charmer, without herself knowing that she is

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Windermere's Fan by Oscar Wilde:

LADY WINDERMERE. Absolutely!

LORD WINDERMERE. Ah, Margaret, do this for my sake; it is her last chance.

LADY WINDERMERE. What has that to do with me?

LORD WINDERMERE. How hard good women are!

LADY WINDERMERE. How weak bad men are!

LORD WINDERMERE. Margaret, none of us men may be good enough for the women we marry - that is quite true - but you don't imagine I would ever - oh, the suggestion is monstrous!

LADY WINDERMERE. Why should YOU be different from other men? I am told that there is hardly a husband in London who does not waste

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Profits of Religion by Upton Sinclair:

themselves to all environments; they are Catholics in Rome and Vienna, country gentlemen in London, bons vivants in Paris, democrats in Chicago, Socialists in Petrograd, and Hebrews wherever they are.

And of course, in buying the English government, these new classes have bought the English Church. Skeptics and men of the world as they are, they know that they must have a Religion. They have read the story of the French revolution, and the shadow of the guillotine is always over their thoughts; they see the giant of labor, restless in his torment, groping as in a nightmare for the throat of his enemy. Who can blind the eyes of this giant,