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Today's Stichomancy for Mohandas Gandhi

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

again they faced each other.

"Allow me, Miss Patchwork," said the Shaggy Man, "to present my friend, the Right Royal Scarecrow of Oz. Scarecrow, this is Miss Scraps Patches; Scraps, this is the Scarecrow. Scarecrow--Scraps; Scraps--Scarecrow."

They both bowed with much dignity.

"Forgive me for staring so rudely," said the Scarecrow, "but you are the most beautiful sight my eyes have ever beheld."

"That is a high compliment from one who is


The Patchwork Girl of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Touchstone by Edith Wharton:

anguish of what they suggested. He was sure now that Flamel would never have betrayed him; but the inference only made a wider outlet for his anger. He paused breathlessly for Flamel to speak.

"If she knows, it's not through me." It was what Glennard had waited for.

"Through you, by God? Who said it was through you? Do you suppose I leave it to you, or to anybody else, for that matter, to keep my wife informed of my actions? I didn't suppose even such egregious conceit as yours could delude a man to that degree!" Struggling for a foothold in the small landslide of his dignity, he added, in a steadier tone, "My wife learned the facts from me."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Melmoth Reconciled by Honore de Balzac:

long run.

The cashier was a man of five-and-forty or thereabouts. As he sat at the table, the light from a moderator lamp shining full on his bald head and glistening fringe of iron-gray hair that surrounded it--this baldness and the round outlines of his face made his head look very like a ball. His complexion was brick-red, a few wrinkles had gathered about his eyes, but he had the smooth, plump hands of a stout man. His blue cloth coat, a little rubbed and worn, and the creases and shininess of his trousers, traces of hard wear that the clothes-brush fails to remove, would impress a superficial observer with the idea that here was a thrifty and upright human being, sufficient of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

hair, seemed to be glued directly and tightly upon his big bones, Without being in any way deformed, he was the nearest approach which I have ever seen or could imagine to what is commonly understood by the word "monster." That the source of the effect produced was really moral I have no doubt. An utterly, hopelessly depraved nature was expressed in physical terms, that taken each separately had nothing positively startling. You imagined him clammily cold to the touch, like a snake. The slightest reproof, the most mild and justifiable remonstrance, would be met by a resentful glare and an evil shrinking of his thin dry upper lip, a snarl of hate to which he generally added the agreeable sound of


The Mirror of the Sea