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Today's Stichomancy for Muhammad Ali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

The climbing fires, who snatches up her babe And flies ne'er pausing, careful more of him Than of herself, that but a single vest Clings round her limbs. Down from the jutting beach Supine he cast him, to that pendent rock, Which closes on one part the other chasm. Never ran water with such hurrying pace Adown the tube to turn a landmill's wheel, When nearest it approaches to the spokes, As then along that edge my master ran, Carrying me in his bosom, as a child,


The Divine Comedy (translated by H.F. Cary)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Lover's Complaint by William Shakespeare:

A thousand favours from a maund she drew Of amber, crystal, and of beaded jet, Which one by one she in a river threw, Upon whose weeping margent she was set; Like usury applying wet to wet, Or monarchs' hands, that lets not bounty fall Where want cries 'some,' but where excess begs all.

Of folded schedules had she many a one, Which she perus'd, sigh'd, tore, and gave the flood; Crack'd many a ring of posied gold and bone, Bidding them find their sepulchres in mud;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Old Maid by Honore de Balzac:

emanated from the inside as well as the outside of the house. The genius of the provinces preserved everything; nothing was new or old, neither young nor decrepit. A cold precision made itself felt throughout.

Tourists in Normandy, Brittany, Maine, and Anjou must all have seen in the capitals of those provinces many houses which resemble more or less that of the Cormons; for it is, in its way, an archetype of the burgher houses in that region of France, and it deserves a place in this history because it serves to explain manners and customs, and represents ideas. Who does not already feel that life must have been calm and monotonously regular in this old edifice? It contained a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Children of the Night by Edwin Arlington Robinson:

The time or the place might be. Were he sounding, With a genial craft that cloaked its purpose, Nigh to itself, the depth of a woman Fooled with his brainless art, or sending The midnight home with songs and bottles, -- The cad was there, and his ease forever Shone with the smooth and slippery polish That tells the snake. That night he drifted Into an up-town haunt and ordered -- Whatever it was -- with a soft assurance That made me mad as I stood behind him,