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Today's Stichomancy for Naomi Campbell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

at night; his palate so unsophisticated that, like a child, he disliked the taste of wine - or perhaps, living in America, had never tasted any that was good; and his knowledge of nature was so complete and curious that he could have told the time of year, within a day or so, by the aspect of the plants. In his dealings with animals, he was the original of Hawthorne's Donatello. He pulled the woodchuck out of its hole by the tail; the hunted fox came to him for protection; wild squirrels have been seen to nestle in his waistcoat; he would thrust his arm into a pool and bring forth a bright, panting fish, lying undismayed in the palm of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Michael Strogoff by Jules Verne:

voice went on: "Yes, it undoubtedly is a good joke. This machine certainly never came from France."

"Nor from England," replied the other.

On the road, by the light of the flashes, Michael saw, twenty yards from him, two travelers, seated side by side in a most peculiar vehicle, the wheels of which were deeply imbedded in the ruts formed in the road.

He approached them, the one grinning from ear to ear, and the other gloomily contemplating his situation, and rec- ognized them as the two reporters who had been his com- panions on board the Caucasus.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

his look change slowly to perplexity. All his facial changes were slow, and she remembered, suddenly, how it had once diverted her to shift that lumbering scenery with a word. For the first time it struck her that she had been cruel. "There IS a question of help," she said in a softer key: "you can help me; but only by listening. . . I want to tell you something. . ."

Arment's resistance was not yielding. "Would it not be easier to--write?" he suggested.

She shook her head. "There is no time to write . . . and it won't take long." She raised her head and their eyes met. "My husband has left me," she said.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Dwarf by Walter Scott:

stagnates, like a blue swollen snake, in dull deep windings, through the swampy level. On the side of the stream, and nearly about the centre of the plain, arose the tower of Westburnflat, one of the few remaining strongholds formerly so numerous upon the Borders. The ground upon which it stood was gently elevated above the marsh for the space of about a hundred yards, affording an esplanade of dry turf, which extended itself in the immediate neighbourhood of the tower; but, beyond which, the surface presented to strangers was that of an impassable and dangerous bog. The owner of the tower and his inmates alone knew the winding and intricate paths, which, leading over ground that was