| The first excerpt represents the past or something you must release, and is drawn from Phaedo by Plato: them what the air is to us. Moreover, the temperament of their seasons is
such that they have no disease, and live much longer than we do, and have
sight and hearing and smell, and all the other senses, in far greater
perfection, in the same proportion that air is purer than water or the
ether than air. Also they have temples and sacred places in which the gods
really dwell, and they hear their voices and receive their answers, and are
conscious of them and hold converse with them, and they see the sun, moon,
and stars as they truly are, and their other blessedness is of a piece with
this.
Such is the nature of the whole earth, and of the things which are around
the earth; and there are divers regions in the hollows on the face of the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: house,--by day, when the scorching sunshine searched its pores
as if to purge away every haunting association, or by night,
when the mantle of darkness hung tenderly above it, and seemed
to collect the dear remembrances again,--that his fancy by
degrees grew morbid, and its pictures unreal. "It is
impossible," he one day thought to himself, "that she should
have lived in that room so long, sat in that window, dreamed on
that couch, reflected herself in that mirror, breathed that
air, without somehow detaching invisible fibres of her being,
delicate films of herself, that must gradually, she being gone,
draw together into a separate individuality an image not quite
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The third excerpt represents the future or something you must embrace, and is drawn from The Woodlanders by Thomas Hardy: to Hintock, and knew that this evening was a favorite one of the
seven for his journey. As she was going next day to leave the
country, Suke thought there could be no great harm in giving way
to a little sentimentality by obtaining a glimpse of him quite
unknown to himself or to anybody, and thus taking a silent last
farewell. Aware that Fitzpiers's time for passing was at hand she
thus betrayed her feeling. No sooner, therefore, had Tim left the
room than she let herself noiselessly out of the house, and
hastened to the corner of the garden, whence she could witness the
surgeon's transit across the scene--if he had not already gone by.
Her light cotton dress was visible to Tim lounging in the arbor of
 The Woodlanders |