Today's Stichomancy for Napoleon Bonaparte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Professor by Charlotte Bronte:

am myself a stranger to myself? What you tell me in terms so qualified, I have known fully from a child."

She did say this as plainly as a frank and flashing glance could, but in a moment the glow of her complexion, the radiance of her aspect, had subsided; if strongly conscious of her talents, she was equally conscious of her harassing defects, and the remembrance of these obliterated for a single second, now reviving with sudden force, at once subdued the too vivid characters in which her sense of her powers had been expressed. So quick was the revulsion of feeling, I had not time to cheek her triumph by reproof; ere I could contract my brows to a frown

The Professor

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jungle Book by Rudyard Kipling:

thou didst not warn him?"

"Haste! O haste! We--we may catch them yet!" Baloo panted.

"At that speed! It would not tire a wounded cow. Teacher of the Law--cub-beater--a mile of that rolling to and fro would burst thee open. Sit still and think! Make a plan. This is no time for chasing. They may drop him if we follow too close."

"Arrula! Whoo! They may have dropped him already, being tired of carrying him. Who can trust the Bandar-log? Put dead bats on my head! Give me black bones to eat! Roll me into the hives of the wild bees that I may be stung to death, and bury me

The Jungle Book

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Talisman by Walter Scott:

prayer. This was to give an opportunity to the Queen, with Edith and her attendants, to pass from the pavilion to the gallery intended for them. Fifty guards of Saladin's seraglio escorted them with naked sabres, whose orders were to cut to pieces whomsoever, were he prince or peasant, should venture to gaze on the ladies as they passed, or even presume to raise his head until the cessation of the music should make all men aware that they were lodged in their gallery, not to be gazed on by the curious eye.

This superstitious observance of Oriental reverence to the fair sex called forth from Queen Berengaria some criticisms very

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Mirth by Edith Wharton:

making.

Lily and her mother wandered from place to place, now paying long visits to relations whose house-keeping Mrs. Bart criticized, and who deplored the fact that she let Lily breakfast in bed when the girl had no prospects before her, and now vegetating in cheap continental refuges, where Mrs. Bart held herself fiercely aloof from the frugal tea-tables of her companions in misfortune. She was especially careful to avoid her old friends and the scenes of her former successes. To be poor seemed to her such a confession of failure that it amounted to disgrace; and she detected a note of condescension in the friendliest advances.