The first excerpt represents the past or something you must release, and is drawn from Tom Sawyer, Detective by Mark Twain:
And he slumped down in his chair crying and sobbing,
and 'most everybody in the house busted out wailing,
and crying, and saying, "Oh, it's awful--awful--
horrible! and there was a most tremendous excitement,
and you couldn't hear yourself think; and right in the
midst of it up jumps old Uncle Silas, white as a sheet,
and sings out:
"IT'S TRUE, EVERY WORD--I MURDERED HIM IN COLD BLOOD!"
By Jackson, it petrified them! People rose up wild all
over the house, straining and staring for a better look
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Buttered Side Down by Edna Ferber: the third floor down. Simple! Say, a child could work it. All
you got to do, when you get home so tired your back teeth ache, is
to haul your water, an' soak your clothes, an' then rub 'em till
your hands peel, and rinse 'em, an' boil 'em, and blue 'em, an'
starch 'em. See? Just like that. Nothin' to it, kid. Nothin' to
it."
Louie had been twisting his fingers nervously. Now his hands
shut themselves into fists. He looked straight into Sophy's angry
eyes.
"I do know what it is," he said, quite simply. "There's been
a lot written and said about women's struggle with clothes. I
 Buttered Side Down |
The third excerpt represents the future or something you must embrace, and is drawn from Flame and Shadow by Sara Teasdale: He gives to me to-night.
Moonlight
It will not hurt me when I am old,
A running tide where moonlight burned
Will not sting me like silver snakes;
The years will make me sad and cold,
It is the happy heart that breaks.
The heart asks more than life can give,
When that is learned, then all is learned;
The waves break fold on jewelled fold,
But beauty itself is fugitive,
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