| The first excerpt represents the past or something you must release, and is drawn from Georgics by Virgil: Of rooks from food returning in long line
Clamour with jostling wings. Now mayst thou see
The various ocean-fowl and those that pry
Round Asian meads within thy fresher-pools,
Cayster, as in eager rivalry,
About their shoulders dash the plenteous spray,
Now duck their head beneath the wave, now run
Into the billows, for sheer idle joy
Of their mad bathing-revel. Then the crow
With full voice, good-for-naught, inviting rain,
Stalks on the dry sand mateless and alone.
Georgics |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Roads of Destiny by O. Henry: coloured colony that had been started on some possumless land in
Mexico. As soon as he heard us say 'barbecue' he wept for joy and
groveled on the ground. He dug his trench on the plaza, and got half a
beef on the coals for an all-night roast. Me and Maxy went to see the
rest of the Americans in the town and they all sizzled like a seidlitz
with joy at the idea of solemnizing an old-time Fourth.
"There were six of us all together--Martin Dillard, a coffee planter;
Henry Barnes, a railroad man; old man Billfinger, an educated tintype
taker; me and Jonesy, and Jerry, the boss of the barbecue. There was
also an Englishman in town named Sterrett, who was there to write a
book on Domestic Architecture of the Insect World. We felt some
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The third excerpt represents the future or something you must embrace, and is drawn from The Phoenix and the Turtle by William Shakespeare: Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.
So they lov'd, as love in twain
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