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Today's Stichomancy for Neal Stephenson

The first excerpt represents the past or something you must release, and is drawn from Menexenus by Plato:

century later include manifest forgeries. Even the value of the Aristotelian authority is a good deal impaired by the uncertainty concerning the date and authorship of the writings which are ascribed to him. And several of the citations of Aristotle omit the name of Plato, and some of them omit the name of the dialogue from which they are taken. Prior, however, to the enquiry about the writings of a particular author, general considerations which equally affect all evidence to the genuineness of ancient writings are the following: Shorter works are more likely to have been forged, or to have received an erroneous designation, than longer ones; and some kinds of composition, such as epistles or panegyrical orations, are more liable to suspicion than others; those, again, which

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Coxon Fund by Henry James:

humbug."

"Clear 'enough' is just what it isn't," I replied; "if it only were!" That ejaculation on my part must have been the beginning of what was to be later a long ache for final frivolous rest. Gravener was profound enough to remark after a moment that in the first place he couldn't be anything but a Dissenter, and when I answered that the very note of his fascination was his extraordinary speculative breadth my friend retorted that there was no cad like your cultivated cad, and that I might depend upon discovering--since I had had the levity not already to have enquired--that my shining light proceeded, a generation back, from

The third excerpt represents the future or something you must embrace, and is drawn from A Woman of No Importance by Oscar Wilde:

MRS. ARBUTHNOT. I will not marry him.

GERALD. Mother, you must.

MRS. ARBUTHNOT. I will not. You talk of atonement for a wrong done. What atonement can be made to me? There is no atonement possible. I am disgraced: he is not. That is all. It is the usual history of a man and a woman as it usually happens, as it always happens. And the ending is the ordinary ending. The woman suffers. The man goes free.

GERALD. I don't know if that is the ordinary ending, mother: I hope it is not. But your life, at any rate, shall not end like that. The man shall make whatever reparation is possible. It is