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Today's Stichomancy for Nellie McKay

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Some Reminiscences by Joseph Conrad:

women amongst them. He was glad to observe the village priest (of the Orthodox Church) coming up the drive. The good man in his haste had tucked up his cassock as high as the top of his boots.

The officer had been looking at the backs of the books in the bookcases. Then he perched himself on the edge of the centre- table and remarked easily:

"Your master did not take you to town with him, then."

"I am the head servant and he leaves me in charge of the house. It's a strong, young chap that travels with our master. If--God forbid--there was some accident on the road he would be of much


Some Reminiscences
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

she perceived the object of their halt and the thing that they awaited. They were being stalked.

Of this she was positive, as she saw the lithe, sinewy form of a panther glide noiselessly from the jungle at the point at which the apes had emerged but a moment before.

Quickly the beast trotted across the clearing toward the anthropoids. Jane wondered at their apparent apathy, and a moment later her wonder turned to amazement as she saw the great cat come quite close to the apes, who appeared entirely unconcerned by its presence, and, squatting down in their midst, fell assiduously to the business of preening,


The Beasts of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

were used as motives for the production of a new art, which was to be not beautiful merely, but also strange.

Infessura tells us that in 1485 some workmen digging on the Appian Way came across an old Roman sarcophagus inscribed with the name 'Julia, daughter of Claudius.' On opening the coffer they found within its marble womb the body of a beautiful girl of about fifteen years of age, preserved by the embalmer's skill from corruption and the decay of time. Her eyes were half open, her hair rippled round her in crisp curling gold, and from her lips and cheek the bloom of maidenhood had not yet departed. Borne back to the Capitol, she became at once the centre of a new cult, and from

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

when the very air gives forth an ozone intensely exhilarating, making one long to cut capers. The buildings are a blazing mass of royal purple and golden yellow, national flags, bunting, and decorations that laugh in the glint of the Midas sun. The streets are a crush of jesters and maskers, Jim Crows and clowns, ballet girls and Mephistos, Indians and monkeys; of wild and sudden flashes of music, of glittering pageants and comic ones, of befeathered and belled horses; a dream of colour and melody and fantasy gone wild in an effervescent bubble of beauty that shifts and changes and passes kaleidoscope-like before the bewildered eye.


The Goodness of St. Rocque and Other Stories