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Today's Stichomancy for Nelson Mandela

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kwaidan by Lafcadio Hearn:

did not look as if they had been cut. Then he thought to himself:-- "Either this is an illusion made by goblins, or I have been lured into the dwelling of a Rokuro-Kubi... (4) In the book Soshinki (5) it is written that if one find the body of a Rokuro-Kubi without its head, and remove the body to another place, the head will never be able to join itself again to the neck. And the book further says that when the head comes back and finds that its body has been moved, it will strike itself upon the floor three times,-- bounding like a ball,-- and will pant as in great fear, and presently die. Now, if these be Rokuro-Kubi, they mean me no good;-- so I shall be justified in following the instructions of the book."...

He seized the body of the aruji by the feet, pulled it to the window, and


Kwaidan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moran of the Lady Letty by Frank Norris:

were hauled up on the junk's deck. The work occupied some two or three days. During this time the "Bertha Millner" was keeled over to nearly twenty degrees by the weight of the dead monster. However, neither Wilbur nor Moran made protest. The Chinamen would do as they pleased; that was said and signed. And they did not release the schooner until the whale had been emptied of oil and blubber, spermaceti and bone.

At length, on the afternoon of the third day, the captain of the junk, whose name was Hoang, presented himself upon the quarter- deck. He was naked to the waist, and his bare brown torso was gleaming with oil and sweat. His queue was coiled like a snake

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moll Flanders by Daniel Defoe:

till I was in bed, and then went to bed in the bed on his own side of the room, but lay there talking to me a great while.

At last, repeating his usual saying, that he could lie naked in the bed with me and not offer me the least injury, he starts out of his bed. 'And now, my dear,' says he, 'you shall see how just I will be to you, and that I can keep my word,' and away he comes to my bed.

I resisted a little, but I must confess I should not have resisted him much if he had not made those promises at all; so after a little struggle, as I said, I lay still and let him come to bed. When he was there he took me in his arms, and so I lay all


Moll Flanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

for all your troubles."

King Ulysses took the goblet with his right hand, while with his left he held the snow-white flower to his nostrils, and drew in so long a breath that his lungs were quite filled with its pure and simple fragrance. Then, drinking off all the wine, he looked the enchantress calmly in the face.

"Wretch," cried Circe, giving him a smart stroke with her wand, "how dare you keep your human shape a moment longer! Take the form of the brute whom you most resemble. If a hog, go join your fellow-swine in the sty; if a lion, a wolf, a tiger, go howl with the wild beasts on the lawn; if a fox, go exercise


Tanglewood Tales