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Today's Stichomancy for Niccolo Machiavelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Straight Deal by Owen Wister:

Ward Beechers that are rare. In times of agony the average man and woman see nothing but their agony. When I look over some of the letters that I received from England in 1915--letters from strangers evoked by a book called The Pentecost of Calamity, wherein I had published my conviction that the cause of England was righteous, the cause of Germany hideous, and our own persistent neutrality unworthy--I'm glad I lost my temper only once, and replied caustically only once. How dreadful (wrote one of my correspondents) must it be to belong to a nation that was behaving like mine! I retorted (I'm sorry for it now) that I could all the more readily comprehend English feeling about our neutrality, because I had known what we had felt when Gladstone spoke at Newcastle and when England

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Sentimental Journey by Laurence Sterne:

THE BOURBONNNOIS.

THERE was nothing from which I had painted out for my self so joyous a riot of the affections, as in this journey in the vintage, through this part of France; but pressing through this gate, of sorrow to it, my sufferings have totally unfitted me. In every scene of festivity, I saw Maria in the background of the piece, sitting pensive under her poplar; and I had got almost to Lyons before I was able to cast a shade across her.

- Dear Sensibility! source inexhausted of all that's precious in our joys, or costly in our sorrows! thou chainest thy martyr down upon his bed of straw - and 'tis thou who lift'st him up to Heaven!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

"When people say that they do not remember what they do in a fit of fury, they talk nonsense. It is false. I remember everything.

I did not lose my consciousness for a single moment. The more I lashed myself to fury, the clearer my mind became, and I could not help seeing what I did. I cannot say that I knew in advance what I would do, but at the moment when I acted, and it seems to me even a little before, I knew what I was doing, as if to make it possible to repent, and to be able to say later that I could have stopped.

"I knew that I struck the blow between the ribs, and that the dagger entered.


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mucker by Edgar Rice Burroughs:

The front room revealed no clue to the missing men. Within the smaller, rear room Byrne heard the subdued hum of whispered conversation just as he was about to open the door. Like a graven image he stood in silence, his ear glued to the frail door. For a moment he listened thus and then his heart gave a throb of exultation, and he could have shouted aloud in thanksgiving--the men were conversing in English!

Quietly Byrne pushed open the door far enough to admit his body. Those within ceased speaking immediately. Byrne closed the door behind him, advancing until he felt one of the occupants of the room. The man shrank from his touch.


The Mucker