| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Edition of The Ambassadors by Henry James: where terrace-walls were warm, in the blue-frocked brass-labelled
officialism of humble rakers and scrapers, in the deep references
of a straight-pacing priest or the sharp ones of a white-gaitered
red-legged soldier. He watched little brisk figures, figures whose
movement was as the tick of the great Paris clock, take their
smooth diagonal from point to point; the air had a taste as of
something mixed with art, something that presented nature as a
white-capped master-chef. The palace was gone, Strether remembered
the palace; and when he gazed into the irremediable void of its
site the historic sense in him might have been freely at play--the
play under which in Paris indeed it so often winces like a touched
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Parmenides by Plato: How so?
In this way:--If being is predicated of the one, if the one is, and one of
being, if being is one; and if being and one are not the same; and since
the one, which we have assumed, is, must not the whole, if it is one,
itself be, and have for its parts, one and being?
Certainly.
And is each of these parts--one and being--to be simply called a part, or
must the word 'part' be relative to the word 'whole'?
The latter.
Then that which is one is both a whole and has a part?
Certainly.
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