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Today's Stichomancy for Nick Lachey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Return of the Native by Thomas Hardy:

can only be expressed by the word genteel. Her face, encompassed by the blackness of the receding heath, showed whitely, and with-out half-lights, like a cameo.

She was a woman of middle-age, with well-formed features of the type usually found where perspicacity is the chief quality enthroned within. At moments she seemed to be regarding issues from a Nebo denied to others around. She had something of an estranged mien; the solitude exhaled from the heath was concentrated in this face that had risen from it. The air with which she looked at the heathmen betokened a certain unconcern at their presence,


Return of the Native
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Protagoras by Plato:

people, who recognize in their assemblies the distinction between the skilled and the unskilled in the arts, do not distinguish between the trained politician and the untrained; (2) Because the wisest and best Athenian citizens do not teach their sons political virtue. Will Protagoras answer these objections?

Protagoras explains his views in the form of an apologue, in which, after Prometheus had given men the arts, Zeus is represented as sending Hermes to them, bearing with him Justice and Reverence. These are not, like the arts, to be imparted to a few only, but all men are to be partakers of them. Therefore the Athenian people are right in distinguishing between the skilled and unskilled in the arts, and not between skilled and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Bucolics by Virgil:

Of such unhallowed union e'er was fain As with a beast to mate, though many a time On her smooth forehead she had sought for horns, And for her neck had feared the galling plough. O ill-starred maid! thou roamest now the hills, While on soft hyacinths he, his snowy side Reposing, under some dark ilex now Chews the pale herbage, or some heifer tracks Amid the crowding herd. Now close, ye Nymphs, Ye Nymphs of Dicte, close the forest-glades, If haply there may chance upon mine eyes

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

chamber lay just before them, or it were doubtful that they would have proceeded farther; but they saw that those they sought had come this way and so they followed, but within the gloomy interior of the chamber they halted, the three chiefs urging their followers, in low whispers, to close in behind them, and there just within the entrance they stood until, their eyes becoming accustomed to the dim light, one of them pointed suddenly to the thing lying upon the floor with one foot tangled in the coverings of the dais.

"Look!" he gasped. "It is the corpse of O-Mai! Ancestor of ancestors! we are in the forbidden chamber." Simultaneously there


The Chessmen of Mars