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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Coxon Fund by Henry James:

that itself was an inconsistency. George Gravener could stand straight enough before any other combination of forces. It amused me to think that the combination he had succumbed to had an American accent, a transcendental aunt and an insolvent father; but all my old loyalty to him mustered to meet this unexpected hint that I could help him. I saw that I could from the insincere tone in which he pursued: "I've criticised her of course, I've contended with her, and it has been great fun." Yet it clearly couldn't have been such great fun as to make it improper for me presently to ask if Miss Anvoy had nothing at all settled on herself. To this he replied that she had only a trifle from her

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Shadow Line by Joseph Conrad:

without argument. Mr. Burns, losing all restraint, put his face close to his captain's and fairly yelled: "You, sir, are going out of the world. But I can't wait till you are dead before I put the helm up. You must do it yourself. You must do it now!"

The man on the couch snarled in contempt. "So I am going out of the world--am I?"

"Yes, sir--you haven't many days left in it," said Mr. Burns calming down. "One can see it by your face."


The Shadow Line
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Talisman by Walter Scott:

his faithful attendant ventured sometimes, in the phrase of romance, "to disturb his thoughts," and awaken him from his reverie, by thrusting his large rough snout into the knight's gauntleted hand, to solicit a transitory caress.

Thus passed two hours of the knight's watch without anything remarkable occurring. At length, and upon a sudden, the gallant staghound bayed furiously, and seemed about to dash forward where the shadow lay the darkest, yet waited, as if in the slips, till he should know the pleasure of his master.

"Who goes there?" said Sir Kenneth, aware that there was something creeping forward on the shadowy side of the mount.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

MARLOW. (Aside.) Egad, she has hit it, sure enough! (To her.) In awe of her, child? Ha! ha! ha! A mere awkward squinting thing; no, no. I find you don't know me. I laughed and rallied her a little; but I was unwilling to be too severe. No, I could not be too severe, curse me!

MISS HARDCASTLE. O! then, sir, you are a favourite, I find, among the ladies?

MARLOW. Yes, my dear, a great favourite. And yet hang me, I don't see what they find in me to follow. At the Ladies' Club in town I'm called their agreeable Rattle. Rattle, child, is not my real name, but one I'm known by. My name is Solomons; Mr. Solomons, my dear, at your


She Stoops to Conquer