Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe:

inquired other ways in the meantime, and found that he was about again, if not abroad again, so she got leave to speak with him.

She was a woman of a admirable address, and wanted nobody to introduce her; she told her tale much better than I shall be able to tell it for her, for she was a mistress of her tongue, as I have said already. She told him that she came, though a stranger, with a single design of doing him a service and he should find she had no other end in it; that as she came purely on so friendly an account, she begged promise from him, that if he did not accept what she should officiously propose he


Moll Flanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

the mountain-side. It was a sweet emblem of conjugal affection, as they toiled up the difficult ascent, gathering strength from the mutual aid which they afforded. After several little accidents, such as a torn robe, a lost shoe, and the entanglement of Hannah's hair in a bough, they reached the upper verge of the forest, and were now to pursue a more adventurous course. The innumerable trunks and heavy foliage of the trees had hitherto shut in their thoughts, which now shrank affrighted from the region of wind and cloud and naked rocks and desolate sunshine, that rose immeasurably above them. They gazed back at the obscure wilderness which they had traversed, and longed to be buried


Twice Told Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

table.

"Don't do that, Max," said Elsa, "you get on my nerves. And I've got a headache to-day; I'm feverish and quite flushed...Don't I look flushed?"

He paused by the window and glanced at her a moment over his shoulder.

"No," he said; "I didn't notice it."

"Oh, you haven't looked at me properly, and I've got a new tea-gown on, too." She pulled her skirts together and patted a little place on the couch.

"Come along and sit by me and tell me why you're being naughty."

But, standing by the window, he suddenly flung his arm across his eyes.

"Oh," he said, "I can't. I'm done--I'm spent--I'm smashed."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Crito by Plato:

in other words, a just and honourable life, is alone to be valued. All considerations of loss of reputation or injury to his children should be dismissed: the only question is whether he would be right in attempting to escape. Crito, who is a disinterested person not having the fear of death before his eyes, shall answer this for him. Before he was condemned they had often held discussions, in which they agreed that no man should either do evil, or return evil for evil, or betray the right. Are these principles to be altered because the circumstances of Socrates are altered? Crito admits that they remain the same. Then is his escape consistent with the maintenance of them? To this Crito is unable or unwilling to reply.

Socrates proceeds:--Suppose the Laws of Athens to come and remonstrate with