| The first excerpt represents the past or something you must release, and is drawn from The Firm of Nucingen by Honore de Balzac: of Parliament has ever yet raised an objection to the system----"
"A cure for plethora of the strong box. Purely vegetable remedy," put
in Bixiou, "les carottes" (gambling speculation).
"Look here!" cried Couture, firing up at this. "You have ten thousand
francs. You invest it in ten shares of a thousand francs each in ten
different enterprises. You are swindled nine times out of the ten--as
a matter of fact you are not, the public is a match for anybody, but
say that you are swindled, and only one affair turns out well (by
accident!--oh, granted!--it was not done on purpose--there, chaff
away!). Very well, the punter that has the sense to divide up his
stakes in this way hits on a splendid investment, like those who took
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Works of Samuel Johnson by Samuel Johnson: Or marshy bulrush rear its wat'ry head,
No foreign food thy teeming ewes shall fear,
No touch contagious spread its influence here.
Happy old man! here 'mid th' accustom'd streams
And sacred springs, you'll shun the scorching beams;
While from yon willow-fence, thy picture's bound,
The bees that suck their flow'ry stores around,
Shall sweetly mingle with the whispering boughs
Their lulling murmurs, and invite repose:
While from steep rocks the pruner's song is heard;
Nor the soft-cooing dove, thy fav'rite bird,
|
The third excerpt represents the future or something you must embrace, and is drawn from Around the World in 80 Days by Jules Verne: with the odorous smoke of his pipe, a series of blue words,
which composed a compliment to the audience; while a third juggled
with some lighted candles, which he extinguished successively
as they passed his lips, and relit again without interrupting
for an instant his juggling. Another reproduced the most singular
combinations with a spinning-top; in his hands the revolving tops
seemed to be animated with a life of their own in their
interminable whirling; they ran over pipe-stems, the edges of sabres,
wires and even hairs stretched across the stage; they turned around
on the edges of large glasses, crossed bamboo ladders, dispersed into
all the corners, and produced strange musical effects by the combination
Around the World in 80 Days |
