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Today's Stichomancy for Noah Wyle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

instead of the span of a bridge.

Venters passed onward and upward. The stones he dislodged rolled down with strange, hollow crack and roar. He had climbed a hundred rods inward, and yet he had not reached the base of the shelf where the cliff-dwellings rested, a long half-circle of connected stone house, with little dark holes that he had fancied were eyes. At length he gained the base of the shelf, and here found steps cut in the rock. These facilitated climbing, and as he went up he thought how easily this vanished race of men might once have held that stronghold against an army. There was only one possible place to ascend, and this was narrow and steep.


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flower Fables by Louisa May Alcott:

smiling up to her, as, with the bright wreath folded in her arms, she flew among the soft, white clouds.

On and on she went, over hill and valley, broad rivers and rustling woods, till the warm sunlight passed away, the winds grew cold, and the air thick with falling snow. Then far below she saw the Frost-King's home. Pillars of hard, gray ice supported the high, arched roof, hung with crystal icicles. Dreary gardens lay around, filled with withered flowers and bare, drooping trees; while heavy clouds hung low in the dark sky, and a cold wind murmured sadly through the wintry air.

With a beating heart Violet folded her fading wreath more closely


Flower Fables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wrecker by Stevenson & Osbourne:

"Knale if ye like!" said he. "I'll stand." And he covered his eyes.

So the prayer was said to the accompaniment of the surf and seabirds, and all rose refreshed and felt lightened of a load. Up to then, they had cherished their guilty memories in private, or only referred to them in the heat of a moment and fallen immediately silent. Now they had faced their remorse in company, and the worst seemed over. Nor was it only that. But the petition "Forgive us our trespasses," falling in so apposite after they had themselves forgiven the immediate author of their miseries, sounded like an absolution.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lily of the Valley by Honore de Balzac:

when the curtain fell upon that fairy scene she banished even the memory of it. In public she never answered to a look or a smile; she was neither mistress nor slave; she was like an ambassadress, obliged to round her phrases and her elbows; she irritated me by her composure, and outraged my heart with her decorum. Thus she degraded love to a mere need, instead of raising it to an ideal through enthusiasm. She expressed neither fear, nor regrets, nor desire; but at a given hour her tenderness reappeared like a fire suddenly lighted.

In which of these two women ought I to believe? I felt, as it were by a thousand pin-pricks, the infinite differences between Henriette and


The Lily of the Valley