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Today's Stichomancy for OJ Simpson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

have been able to confer. And now, when the clouds gather and the rain impends over the forest and our house, permit us not to be cast down; let us not lose the savour of past mercies and past pleasures; but, like the voice of a bird singing in the rain, let grateful memory survive in the hour of darkness. If there be in front of us any painful duty, strengthen us with the grace of courage; if any act of mercy, teach us tenderness and patience.

ANOTHER IN TIME OF RAIN

LORD, Thou sendest down rain upon the uncounted millions of the forest, and givest the trees to drink exceedingly. We are here upon this isle a few handfuls of men, and how many myriads upon

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

realizing that all our efforts were to be in vain, because of all the men aboard, Fate had decreed that this one should fall first to an enemy bullet. I saw the depleted gun-crew on the submarine fire their piece and I felt the shock of impact and heard the loud explosion as the shell struck and exploded in our bows.

I saw and realized these things even as I was leaping into the pilot-house and grasping the wheel, standing astride the dead body of the helmsman. With all my strength I threw the helm to starboard; but it was too late to effect the purpose of our skipper. The best I did was to scrape alongside the sub. I heard someone shriek an order into the engine-room; the boat


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac:

paper sprigged with blue. The floor was painted, and knew nothing of the polish given by the /frotteur's/ brush. By our beds there was only a scrap of thin carpet. The chimney opened immediately to the roof, and smoked so abominably that we were obliged to provide a stove at our own expense. Our beds were mere painted wooden cribs like those in schools; on the chimney shelf there were but two brass candlesticks, with or without tallow candles in them, and our two pipes with some tobacco in a pouch or strewn abroad, also the little piles of cigar- ash left there by our visitors or ourselves.

A pair of calico curtains hung from the brass window rods, and on each side of the window was a small bookcase in cherry-wood, such as every

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wheels of Chance by H. G. Wells:

walked down into Cosham again, resumed their machines, and went on at a leisurely pace along the northern shore of the big harbour. But Mr. Hoopdriver was no longer happy. This horrible, this fulsome lie, stuck in his memory. Why HAD he done it? She did not ask for any more South African stories, happily--at least until Porchester was reached--but talked instead of Living One's Own Life, and how custom hung on people like chains. She talked wonderfully, and set Hoopdriver's mind fermenting. By the Castle, Mr. Hoopdriver caught several crabs in little shore pools. At Fareham they stopped for a second tea, and left the place towards the hour of sunset, under such invigorating circumstances as you