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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Silas Marner by George Eliot:

side. That quiet mutual gaze of a trusting husband and wife is like the first moment of rest or refuge from a great weariness or a great danger--not to be interfered with by speech or action which would distract the sensations from the fresh enjoyment of repose.

But presently he put out his hand, and as Nancy placed hers within it, he drew her towards him, and said--

"That's ended!"

She bent to kiss him, and then said, as she stood by his side, "Yes, I'm afraid we must give up the hope of having her for a daughter. It wouldn't be right to want to force her to come to us against her will. We can't alter her bringing up and what's come of


Silas Marner
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

express my own peculiar feelings, he comprehended many of my wishes, and all my tastes. I grew fond of him hourly. Had I not reason? Never was friend so considerate, never was lover more devoted.

When he had been gone a few days, Aunt Eliza declared that she was ready to depart from Newport. The rose-colored days were ended! In two days we were on the Sound, coach, horses, servants, and ourselves.

It was the 1st of September when we arrived in Bond Street. A week from that date Samuel Uxbridge, the senior partner of Uxbridge Brothers, went to Europe with his family, and I went to Waterbury,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adam Bede by George Eliot:

transcended her feelings. There are faces which nature charges with a meaning and pathos not belonging to the single human soul that flutters beneath them, but speaking the joys and sorrows of foregone generations--eyes that tell of deep love which doubtless has been and is somewhere, but not paired with these eyes--perhaps paired with pale eyes that can say nothing; just as a national language may be instinct with poetry unfelt by the lips that use it. That look of Hetty's oppressed Arthur with a dread which yet had something of a terrible unconfessed delight in it, that she loved him too well. There was a hard task before him, for at that moment he felt he would have given up three years of his youth for


Adam Bede