| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne: "See what is the matter."
Passepartout rushed out of the car. Thirty or forty passengers
had already descended, amongst them Colonel Stamp Proctor.
The train had stopped before a red signal which blocked the way.
The engineer and conductor were talking excitedly with a signal-man,
whom the station-master at Medicine Bow, the next stopping place,
had sent on before. The passengers drew around and took part
in the discussion, in which Colonel Proctor, with his insolent manner,
was conspicuous.
Passepartout, joining the group, heard the signal-man say,
"No! you can't pass. The bridge at Medicine Bow is shaky,
 Around the World in 80 Days |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heart of Darkness by Joseph Conrad: it seemed to me as if I also were buried in a vast grave full
of unspeakable secrets. I felt an intolerable weight oppressing
my breast, the smell of the damp earth, the unseen presence
of victorious corruption, the darkness of an impenetrable night.
. . . The Russian tapped me on the shoulder. I heard him mumbling
and stammering something about `brother seaman--couldn't conceal--
knowledge of matters that would affect Mr. Kurtz's reputation.'
I waited. For him evidently Mr. Kurtz was not in his grave;
I suspect that for him Mr. Kurtz was one of the immortals.
`Well!' said I at last, `speak out. As it happens, I am
Mr. Kurtz's friend--in a way.'
 Heart of Darkness |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer: It lay sideways upon the floor, and seizing it by its edge,
he turned it over.
"Heavy," he muttered; "but Strozza must have capsized it as he fell.
He would not have laid it on its side to remove the lid. Hallo!"
He bent farther forward, catching at a piece of twine,
and out of the mummy case pulled a rubber stopper or "cork."
"This was stuck in a hole level with the floor of the thing," he said.
"Ugh! it has a disgusting smell."
I took it from his hands, and was about to examine it, when a loud
voice sounded outside in the hall. The door was thrown open,
and a big man, who, despite the warmth of the weather,
 The Insidious Dr. Fu-Manchu |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Story of an African Farm by Olive Schreiner: presently she added, "Aunt, why does the Englishman always knock against a
person when he passes them?"
"That's because you are always in the way," said Tant Sannie.
"But, aunt, said Trana, presently, "I think he is very ugly."
"Phugh!" said Tant Sannie. It's only because we're not accustomed to such
noses in this country. In his country he says all the people have such
noses, and the redder your nose is the higher you are. He's of the family
of the Queen Victoria, you know," said Tant Sannie, wakening up with her
subject; "and he doesn't think anything of governors and church elders and
such people; they are nothing to him. When his aunt with the dropsy dies
he'll have money enough to buy all the farms in this district."
|