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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield:

sense of novelty and strangeness, time to know them! But as soon as one paused to part the petals, to discover the under-side of the leaf, along came Life and one was swept away. And, lying in her cane chair, Linda felt so light; she felt like a leaf. Along came Life like a wind and she was seized and shaken; she had to go. Oh dear, would it always be so? Was there no escape?

...Now she sat on the veranda of their Tasmanian home, leaning against her father's knee. And he promised, "As soon as you and I are old enough, Linny, we'll cut off somewhere, we'll escape. Two boys together. I have a fancy I'd like to sail up a river in China." Linda saw that river, very wide, covered with little rafts and boats. She saw the yellow hats of the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

embellished with all the physical and inanimate objects which cover the earth, was the kind of poetry peculiar to democratic ages; but I believe this to be an error, and that it only belongs to a period of transition.

I am persuaded that in the end democracy diverts the imagination from all that is external to man, and fixes it on man alone. Democratic nations may amuse themselves for a while with considering the productions of nature; but they are only excited in reality by a survey of themselves. Here, and here alone, the true sources of poetry amongst such nations are to be found; and it may be believed that the poets who shall neglect to draw their

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Silas Marner by George Eliot:

women in Raveloe, at that present time, who had worn one of the Wise Woman's little bags round their necks, and, in consequence, had never had an idiot child, as Ann Coulter had. Silas Marner could very likely do as much, and more; and now it was all clear how he should have come from unknown parts, and be so "comical-looking". But Sally Oates must mind and not tell the doctor, for he would be sure to set his face against Marner: he was always angry about the Wise Woman, and used to threaten those who went to her that they should have none of his help any more.

Silas now found himself and his cottage suddenly beset by mothers who wanted him to charm away the whooping-cough, or bring back the


Silas Marner
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

room to room, an opening and shutting of doors, and an intermittent sound of hammering from the laundry, where Mr. Sieppe in his shirt sleeves labored among the packing-boxes. The twins clattered about on the carpetless floors of the denuded rooms. Owgooste was smacked from hour to hour, and wept upon the front stairs; the dressmaker called over the banisters for a hot flatiron; expressmen tramped up and down the stairway. Mrs. Sieppe stopped in the preparation of the lunches to call "Hoop, Hoop" to the greyhound, throwing lumps of coal. The dog-wheel creaked, the front door bell rang, delivery wagons rumbled away, windows rattled--the


McTeague