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Today's Stichomancy for Paul McCartney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beast in the Jungle by Henry James:

solitude--that was what he had figured as the Beast in the Jungle, that was what had been in the lap of the gods. He had had her word for it as he left her--what else on earth could she have meant? It wasn't a thing of a monstrous order; not a fate rare and distinguished; not a stroke of fortune that overwhelmed and immortalised; it had only the stamp of the common doom. But poor Marcher at this hour judged the common doom sufficient. It would serve his turn, and even as the consummation of infinite waiting he would bend his pride to accept it. He sat down on a bench in the twilight. He hadn't been a fool. Something had BEEN, as she had said, to come. Before he rose indeed it had quite struck him that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

unable to find, she began to sing 'Beasts of England'. The other animals sitting round her took it up, and they sang it three times over--very tunefully, but slowly and mournfully, in a way they had never sung it before.

They had just finished singing it for the third time when Squealer, attended by two dogs, approached them with the air of having something important to say. He announced that, by a special decree of Comrade Napoleon, 'Beasts of England' had been abolished. From now onwards it was forbidden to sing it.

The animals were taken aback.

"Why?" cried Muriel.


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Purse by Honore de Balzac:

arranged on the walls. In the middle stood a massive mahogany table, old-fashioned in shape, and worn at the edges. A small stove, whose thin straight pipe was scarcely visible, stood in front of the chimney-place, but the hearth was occupied by a cupboard. By a strange contrast the chairs showed some remains of former splendor; they were of carved mahogany, but the red morocco seats, the gilt nails and reeded backs, showed as many scars as an old sergeant of the Imperial Guard.

This room did duty as a museum of certain objects, such as are never seen but in this kind of amphibious household; nameless objects with the stamp at once of luxury and penury. Among other

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

I want to shout! I want to sing! I am glad! I am glad to be alive because you are alive! I am glad to be a woman because you are a man! I am glad! I am glad! I am glad! I thank God for life and you. I thank God for His sunlight on your face. I thank God for the beauty you love and the faults you love. I thank God for the very skin that is peeling from your nose, for all things great and small that make us what we are. This is grace I am saying! Oh! my dear! all the joy and weeping of life are mixed in me now and all the gratitude. Never a new-born dragon-fly that spread its wings in the morning has felt as glad as I!"