| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The New Machiavelli by H. G. Wells: sensuous note. Our love-making had much of the tepid smoothness of
the lagoons. We talked in delicate innuendo of what should be
glorious freedoms. Margaret had missed Verona and Venice in her
previous Italian journey--fear of the mosquito had driven her mother
across Italy to the westward route--and now she could fill up her
gaps and see the Titians and Paul Veroneses she already knew in
colourless photographs, the Carpaccios, (the St. George series
delighted her beyond measure,) the Basaitis and that great statue of
Bartolomeo Colleoni that Ruskin praised.
But since I am not a man to look at pictures and architectural
effects day after day, I did watch Margaret very closely and store a
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lucile by Owen Meredith: White, delicate, dimpled, warm, languid, and bland.
The hand of a woman is often, in youth,
Somewhat rough, somewhat red, somewhat graceless, in truth;
Does its beauty refine, as its pulses grow calm,
Or as Sorrow has cross'd the life-line in the palm?
XV.
The more that he look'd, that he listen'd, the more
He discover'd perfections unnoticed before.
Less salient than once, less poetic, perchance,
This woman who thus had survived the romance
That had made him its hero, and breathed him its sighs,
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