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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac:

He made a step as if to address his client, who was silent throughout this scene as if dazed by it; but he turned and said, addressing Madame Evangelista:--

"Do not suppose, madame, that I think you a party to these ideas of my brother notary. I consider you an honest woman and a lady who knows nothing of business."

"Thank you, brother notary," said Solonet.

"You know that there can be no offence between you and me," replied Mathias. "Madame," he added, "you ought to know the result of this proposed arrangement. You are still young and beautiful enough to marry again--Ah! madame," said the old man, noting her gesture, "who

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

the prefect of the Seine when that official consulted Cesar on the choice to be made. Monsieur and Madame Birotteau were therefore never forgotten in the invitations of the mayor. Madame Birotteau frequently took up the collections at Saint-Roch in the best of good company. La Billardiere warmly supported Birotteau when the question of bestowing the crosses given to the municipality came up, and dwelt upon his wound at Saint-Roch, his attachment to the Bourbons, and the respect which he enjoyed. The government, wishing on the one hand to cheapen Napoleon's order by lavishing the cross of the Legion of honor, and on the other to win adherents and rally to the Bourbons the various trades and men of arts and sciences, included Birotteau in the coming


Rise and Fall of Cesar Birotteau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marriage Contract by Honore de Balzac:

movements of which have a name in Spain. Her face, still beautiful, was particularly seductive for its Creole complexion, the vividness of which can be described only by comparing it to muslin overlying crimson, so equally is the whiteness suffused with color. Her figure, which was full and rounded, attracted the eye by a grace which united nonchalance with vivacity, strength with ease. She attracted and she imposed, she seduced, but promised nothing. She was tall, which gave her at times the air and carriage of a queen. Men were taken by her conversation like birds in a snare; for she had by nature that genius which necessity bestows on schemes; she advanced from concession to concession, strengthening herself with what she gained to ask for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

In this phase of artillery the Germans led the way, for the simple reason that they recognised the military value of aerial navigation years in advance of their contemporaries. Again, in this field the Krupp Organisation has played a prominent part. It embarked upon actual construction of weapons while its rivals in other countries were content to prepare their drawings, which were filed against "The Day." But it must not be thought that because the German manufacturers of armaments were ahead of their contemporaries they dominated the situation. Far from it. Their competitors in the market of destruction were every whit as keen, as ingenious, and as enterprising. Kruppism saw a