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Today's Stichomancy for Paul Newman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Mine eare is much enamored of thy note; On the first view to say, to sweare I loue thee. So is mine eye enthralled to thy shape. And thy faire vertues force (perforce) doth moue me

Bot. Me-thinkes mistresse, you should haue little reason for that: and yet to say the truth, reason and loue keepe little company together, nowadayes. The more the pittie, that some honest neighbours will not make them friends. Nay, I can gleeke vpon occasion

Tyta. Thou art as wise, as thou art beautifull

Bot. Not so neither: but if I had wit enough to get


A Midsummer Night's Dream
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

a circle on two stalks, down the centre of which a switch moved pendulum-wise; while the sun, lowering itself behind this patient row, threw their shadows accurately inwards upon the wall. Thus it threw shadows of these obscure and homely figures every evening with as much care over each contour as if it had been the profile of a court beauty on a palace wall; copied them as diligently as it had copied Olympian shapes on marble FACADES long ago, or the outline of Alexander, Caesar, and the Pharaohs.

They were the less restful cows that were stalled.


Tess of the d'Urbervilles, A Pure Woman
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Roads of Destiny by O. Henry:

service it can buy for him that this. Here is one hundred dollars. Luck or no luck, we part company here. Star or no star, calamity seems to travel by your side. You will return to the steamer. She touches at Amotapa to discharge her lumber and iron, and then puts back to New Orleans. Hand this note to the sailing-master, who will give you passage.' I wrote on a leaf torn from my book, and placed it and the money in Kearny's hand.

"'Good-bye,' I said, extending my own. 'It is not that I am displeased with you; but there is no place in this expedition for--let us say, the Senorita Phoebe.' I said this with a smile, trying to smooth the thing for him. 'May you have better luck, /companero/.'

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Roads of Destiny by O. Henry:

Don, had caracoled and serenaded and blustered while the tomahawk and the pioneer's rifle were already uplifted to expel him from a continent. And Tansey, stumbling through this old-world dust, looked up, dark as it was, and saw Andalusian beauties glimmering on the balconies. Some of them were laughing and listening to the goblin music that still followed; others harked fearfully through the night, trying to catch the hoof beats of caballeros whose last echoes from those stones had died away a century ago. Those women were silent, but Tansey heard the jangle of horseless bridle-bits, the whirr of riderless rowels, and, now and then, a muttered malediction in a foreign tongue. But he was not frightened. Shadows, nor shadows of