| The first excerpt represents the past or something you must release, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow: The respirations of thy slumber,
As if some strange, mysterious fate
Had linked two hearts in one, and mine
Went madly wheeling about thine,
Only with wider and wilder sweep!
CRIER OP THE DEAD, at a distance.
Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!
PRINCE HENRY.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson: their treatment afloat; when their comrades ashore began to
feel some anxiety to see a place of which they had heard so
much, and to change the constant operations with the iron and
mallet in the process of hewing for an occasional tide's work
on the rock, which they figured to themselves as a state of
comparative ease and comfort.'
I am now for many pages to let my grandfather speak for
himself, and tell in his own words the story of his capital
achievement. The tall quarto of 533 pages from which the
following narrative has been dug out is practically unknown to
the general reader, yet good judges have perceived its merit,
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The third excerpt represents the future or something you must embrace, and is drawn from The Island of Doctor Moreau by H. G. Wells: another licking kiss. I began to realise what its presence meant,
and the tide of my courage flowed. "Where are the others?"
I asked.
"They are mad; they are fools," said the Dog-man. "Even now they
talk together beyond there. They say, `The Master is dead.
The Other with the Whip is dead. That Other who walked in the Sea is
as we are. We have no Master, no Whips, no House of Pain, any more.
There is an end. We love the Law, and will keep it; but there
is no Pain, no Master, no Whips for ever again.' So they say.
But I know, Master, I know."
I felt in the darkness, and patted the Dog-man's head. "It is well,"
 The Island of Doctor Moreau |