Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

successive evenings, entitled The Rhine Gold (a prologue to the other three), The Valkyries, Siegfried, and Night Falls On The Gods; or, in the original German, Das Rheingold, Die Walkure, Siegfried, and Die Gotterdammerung.

THE RHINE GOLD

Let me assume for a moment that you are a young and good-looking woman. Try to imagine yourself in that character at Klondyke five years ago. The place is teeming with gold. If you are content to leave the gold alone, as the wise leave flowers without plucking them, enjoying with perfect naivete its color and glitter and preciousness, no human being will ever be the worse for your

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

lactiones esse duas; harum alterius principatum tenere Haeduos, alterius Arvernos. Hi cum tantopere de potentatu inter se multos annos contenderent, factum esse uti ab Arvernis Sequanisque Germani mercede arcesserentur. Horum primo circiter milia XV Rhenum transisse; postea quam agros et cultum et copias Gallorum homines feri ac barbari adamassent, traductos plures; nunc esse in Gallia ad C et XX milium numerum. Cum his Haeduos eorumque clientes semel atque iterum armis contendisse; magnam calamitatem pulsos accepisse, omnem nobilitatem, omnem senatum, omnem equitatum amisisse. Quibus proeliis calamitatibusque fractos, qui et sua virtute et populi Romani hospitio atque amicitia plurimum ante in Gallia potuissent, coactos esse Sequanis obsides dare

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chance by Joseph Conrad:

demand he makes on it in the exultation of his pride the more likely it is to turn on him and burn him to a cinder . . . "

"A far-fetched enough parallel," I observed coldly to Marlow. He had returned to the arm-chair in the shadow of the bookcase. "But accepting the meaning you have in your mind it reduces itself to the knowledge of how to use it. And if you mean that this ravenous Anthony--"

"Ravenous is good," interrupted Marlow. "He was a-hungering and a- thirsting for femininity to enter his life in a way no mere feminist could have the slightest conception of. I reckon that this accounts for much of Fyne's disgust with him. Good little Fyne. You have no


Chance
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mansfield Park by Jane Austen:

I feel as if I could be anything or everything; as if I could rant and storm, or sigh or cut capers, in any tragedy or comedy in the English language. Let us be doing something. Be it only half a play, an act, a scene; what should prevent us? Not these countenances, I am sure," looking towards the Miss Bertrams; "and for a theatre, what signifies a theatre? We shall be only amusing ourselves. Any room in this house might suffice."

"We must have a curtain," said Tom Bertram; "a few yards of green baize for a curtain, and perhaps that may be enough."

"Oh, quite enough," cried Mr. Yates, "with only just a side wing


Mansfield Park