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Today's Stichomancy for Penelope Cruz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Elixir of Life by Honore de Balzac:

and wide, and the whole vast crowd raised to God the first cry of praise that begins the Te Deum. A sublime cry! High, pure notes, the voices of women in ecstasy, mingled in it with the sterner and deeper voices of men; thousands of voices sent up a volume of sound so mighty, that the straining, groaning organ-pipes could not dominate that harmony. But the shrill sound of children's singing among the choristers, the reverberation of deep bass notes, awakened gracious associations, visions of childhood, and of man in his strength, and rose above that entrancing harmony of human voices blended in one sentiment of love.

Te Deum laudamus!

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maitre Cornelius by Honore de Balzac:

The oath seemed to affect the old man singularly.

"Come, come, by Saint-Bavon indeed, you shall sleep here."

"But--" said his sister, alarmed.

"Silence," replied Cornelius. "In his letter Oosterlinck tells me he will answer for this young man. You know," he whispered in his sister's ear, "we have a hundred thousand francs belonging to Oosterlinck? That's a hostage, hey!"

"And suppose he steals those Bavarian jewels? Tiens, he looks more like a thief than a Fleming."

"Hush!" exclaimed the old man, listening attentively to some sound.

Both misers listened. A moment after the "Hush!" uttered by Cornelius,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Hidden Masterpiece by Honore de Balzac:

him, "You see nothing?--clown, infidel, scoundrel, dolt! Why did you come here? My good Porbus," he added, turning to his friend, "is it possible that you, too, are jesting with me? Answer; I am your friend. Tell me, can it be that I have spoiled my picture?"

Porbus hesitated, and feared to speak; but the anxiety painted on the white face of the old man was so cruel that he was constrained to point to the canvas and utter the word, "See!"

Frenhofer looked at his picture for a space of a moment, and staggered.

"Nothing! nothing! after toiling ten years!"

He sat down and wept.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Footnote to History by Robert Louis Stevenson:

attempt upon Apia, the roads thither are to be held by a strong landing-party. Mataafa was to be disarmed first, perhaps rightly enough in his character of the last insurgent. Then was to have come the turn of Tamasese; but it does not appear the disarming would have had the same import or have been gone about in the same way. Germany was bound to Tamasese. No honest man would dream of blaming Knappe because he sought to redeem his country's word. The path he chose was doubtless that of honour, so far as honour was still left. But it proved to be the road to ruin.

Fritze, ranking German officer, is understood to have opposed the measure. His attitude earned him at the time unpopularity among