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Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tapestried Chamber by Walter Scott:

the localities of the detail, but suffer them to rest under the same general description in which they were first related to me; and for the same reason I will not add to or diminish the narrative by any circumstance, whether more or less material, but simply rehearse, as I heard it, a story of supernatural terror.

About the end of the American war, when the officers of Lord Cornwallis's army, which surrendered at Yorktown, and others, who had been made prisoners during the impolitic and ill-fated controversy, were returning to their own country, to relate their adventures, and repose themselves after their fatigues, there was amongst them a general officer, to whom Miss S. gave the name of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister:

about poor Nate, for that's the reason--Of course those things can't be secrets! Why, he's only twenty, sir! How should he know about this world? He hadn't learned the first little thing when he left home five years ago. And I am twenty-three--old enough to be Nate's grandmother, he's that young and thoughtless. He couldn't ever realize bad companions when they came around. See that!" She showed me a paper, taking it out like a precious thing, as indeed it was; for it was a pardon signed by Governor Barker. "And the Governor has let me carry it to Nate myself. He won't know a thing about it till I tell him. The Governor was real kind, and we will never forget him. I reckon Nate must have a mustache by now?" said she to Lin.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Altar of the Dead by Henry James:

to invite. He lost himself in the large lustre, which was more and more what he had from the first wished it to be - as dazzling as the vision of heaven in the mind of a child. He wandered in the fields of light; he passed, among the tall tapers, from tier to tier, from fire to fire, from name to name, from the white intensity of one clear emblem, of one saved soul, to another. It was in the quiet sense of having saved his souls that his deep strange instinct rejoiced. This was no dim theological rescue, no boon of a contingent world; they were saved better than faith or works could save them, saved for the warm world they had shrunk from dying to, for actuality, for continuity, for the certainty of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philosophy 4 by Owen Wister:

in mind of the dying Keats. Not that Oscar was going to die in the least. Life burned strong in him. There were sly times when he took what he had saved by his cheap meals and room and went to Boston with it, and for a few hours thoroughly ceased being ascetic. Yet Oscar felt meritorious when he considered Bertie and Billy; for, like the socialists, merit with him meant not being able to live as well as your neighbor. You will think that I have given to Oscar what is familiarly termed a black eye. But I was once inclined to applaud his struggle for knowledge, until I studied him close and perceived that his love was not for the education he was getting. Bertie and Billy loved play for play's own sake, and in play forgot themselves, like the wholesome young