Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Peter Gabriel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mountains by Stewart Edward White:

an overgrown school-girl too big for short dresses and too young for long gowns;--a school-girl named Flossie, or Mamie, or Lily. So we named her that.

At first hers was the attitude of the timid and shrinking tenderfoot. She stood in awe of her companions; she appreciated her lack of experience. Humbly she took the rear; slavishly she copied the other horses; closely she clung to camp. Then in a few weeks, like most tenderfeet, she came to think that her short experience had taught her everything there was to know. She put on airs. She became

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Arabian Nights by Robert Louis Stevenson:

the lean-to outhouse, where Northmour used to nurse his negatives.

"Hot work," said Northmour. "Let us try in your old room."

We ran thither in a breath, threw up the casement, and looked forth. Along the whole back wall of the pavilion piles of fuel had been arranged and kindled; and it is probable they had been drenched with mineral oil, for, in spite of the morning's rain, they all burned bravely. The fire had taken a firm hold already on the outhouse, which blazed higher and higher every moment; the back door was in the centre of a red-hot bonfire; the eaves we could see, as we looked upward, were already smouldering, for the roof overhung, and was supported by considerable beams of wood. At the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Crito by Plato:

SOCRATES: There appeared to me the likeness of a woman, fair and comely, clothed in bright raiment, who called to me and said: O Socrates,

'The third day hence to fertile Phthia shalt thou go.' (Homer, Il.)

CRITO: What a singular dream, Socrates!

SOCRATES: There can be no doubt about the meaning, Crito, I think.

CRITO: Yes; the meaning is only too clear. But, oh! my beloved Socrates, let me entreat you once more to take my advice and escape. For if you die I shall not only lose a friend who can never be replaced, but there is another evil: people who do not know you and me will believe that I might have saved you if I had been willing to give money, but that I did not care. Now, can there be a worse disgrace than this--that I should be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Alkahest by Honore de Balzac:

moss in the crevices of the freestone, a break in the even courses of the brick; he would have longed for a swallow to build her nest in the red coping that roofed the arches of the windows. The precise and immaculate air of this facade, a little worn by perpetual rubbing, gave the house a tone of severe propriety and estimable decency which would have driven a romanticist out of the neighborhood, had he happened to take lodgings over the way.

When a visitor had pulled the braided iron wire bell-cord which hung from the top of the pilaster of the doorway, and the servant-woman, coming from within, had admitted him through the side of the double- door in which was a small grated loop-hole, that half of the door