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Today's Stichomancy for Peter O'Toole

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Passionate Pilgrim by William Shakespeare:

If by me broke, what fool is not so wise To break an oath, to win a paradise?

IV.

Sweet Cytherea, sitting by a brook With young Adonis, lovely, fresh, and green, Did court the lad with many a lovely look, Such looks as none could look but beauty's queen, She told him stories to delight his ear; She show'd him favours to allure his eye; To win his heart, she touch'd him here and there, -- Touches so soft still conquer chastity.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

Henri did a characteristic and kindly thing for Sara Lee before he left that evening on one of the many mysterious journeys that he was to make during the time Sara Lee knew him. He came to her doors menus in hand, and painstakingly ordered for her a dinner for that night, and the three meals for the day following.

He made no suggestion of dining with her that evening. Indeed watching him from her small table Sara Lee decided that he had put her entirely out of his mind. He did not so much as glance at her. Save the cashier at her boxed-in desk and money drawer, she was the only woman in that room full of officers. Quite certainly Henri was the only man who did not find some excuse for glancing in her direction.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Grogan by F. Hopkinson Smith:

"No, don't look so. It's nothin'; I'll be all right in a day or two. I've been hurted before, but not so bad as this. I wouldn't have troubled ye, but Mr. Crane has gone West. It was kind and friendly o' ye to come; I knew ye would."

Babcock nodded to Pop, and sank into a chair. The shock of her appearance had completely unnerved him.

"Jennie has told me about it," he said in a tender, sympathetic tone. "Who was mean enough to serve you in this way, Tom?" He called her Tom now, as the others did.

"Well, I won't say now. It may have been the horse, but I hardly think it, for I saw a face. All I remember clear is a-layin' me

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

beautifully with grandma herself as well. She loved everything about her, and wished it need not be so very long till she could be a grandma herself, have white hair and wear snowy caps atop of it, and kerchiefs around her neck, and use gold eye-glasses and a knitting-basket. Grandma Luty, you see, was one of the dear, old-fashioned grandmothers. There are not many of them nowadays. Most of them seem to like to dress so you cannot tell a grandmother from just an ordinary everyday mother. If you have a grandmother--a nice old one, I mean--see if you cannot get her into the cap and kerchief, and then show her how lovely she looks in them. But what I was going to tell you was that Grandma Luty's visit was all a joy to Tattine, and so when, just at daylight one morning, the setter puppies in their kennel at the back of the house