Today's Stichomancy for Peter Sellers
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Grimm's Fairy Tales by Brothers Grimm: egg, they pecked a hole in it, ate it up, and threw the shells into
the fireplace: they then went to the pin and needle, who were fast
asleep, and seizing them by the heads, stuck one into the landlord's
easy chair and the other into his handkerchief; and, having done this,
they crept away as softly as possible. However, the duck, who slept in
the open air in the yard, heard them coming, and jumping into the
brook which ran close by the inn, soon swam out of their reach.
An hour or two afterwards the landlord got up, and took his
handkerchief to wipe his face, but the pin ran into him and pricked
him: then he walked into the kitchen to light his pipe at the fire,
but when he stirred it up the eggshells flew into his eyes, and almost
 Grimm's Fairy Tales |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton: no other way of getting any lace to trim her summer
blouse, and since Ally Hawes, the poorest girl in the
village, had shown herself in church with enviable
transparencies about the shoulders, Charity's hook had
travelled faster. She unrolled the lace, dug the hook
into a loop, and bent to the task with furrowed brows.
Suddenly the door opened, and before she had raised her
eyes she knew that the young man she had seen going in
at the Hatchard gate had entered the library.
Without taking any notice of her he began to move
slowly about the long vault-like room, his hands behind
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Astoria by Washington Irving: any article of civilized dress which they could procure, and
often made a most grotesque appearance. They adapted many
articles of finery, also, to their own previous tastes. Both
sexes were fond of adorning themselves with bracelets of iron,
brass, or copper. They were delighted, also, with blue and white
beads, particularly the former, and wore broad tight bands of
them round the waist and ankles, large rolls of them round the
neck, and pendants of them in the ears. The men, especially, who
in savage life carry a passion for personal decoration further
than the females, did not think their gala equipments complete
unless they had a jewel of hiaqua, or wampum, dangling at the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac: drawn by the tip of a brush, were separated by folds of cloud, like
the wrinkles on an old man's brow. The whole scene made a background
of ashen grays and half-tints, in strong contrast to the bale-fires of
the sunset. If written language might borrow of spoken language some
of the bold figures of speech invented by the people, it might be said
with the soldier that "the weather has been routed," or, as the
peasant would say, "the sky glowered like an executioner." Suddenly a
wind arose from the quarter of the sunset, and the skipper, who never
took his eyes off the sea, saw the swell on the horizon line, and
cried:
"Stop rowing!"
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