| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle by Upton Sinclair: place to live in. Jurgis lost his temper very little, however, all
things considered. It was because of Ona; the least glance at her was
always enough to make him control himself. She was so sensitive--she
was not fitted for such a life as this; and a hundred times a day,
when he thought of her, he would clench his hands and fling himself
again at the task before him. She was too good for him, he told himself,
and he was afraid, because she was his. So long he had hungered to
possess her, but now that the time had come he knew that he had not
earned the right; that she trusted him so was all her own simple
goodness, and no virtue of his. But he was resolved that she should
never find this out, and so was always on the watch to see that he did not
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dracula by Bram Stoker: At sunrise the Count could appear in his own form.
Here, we ask why Skinsky was chosen at all to aid in the work?
In my husband's diary, Skinsky is mentioned as dealing
with the Slovaks who trade down the river to the port.
And the man's remark, that the murder was the work of
a Slovak, showed the general feeling against his class.
The Count wanted isolation.
My surmise is this, that in London the Count decided to get
back to his castle by water, as the most safe and secret way.
He was brought from the castle by Szgany, and probably they
delivered their cargo to Slovaks who took the boxes to Varna,
 Dracula |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Muse of the Department by Honore de Balzac: this inscription on the wrapper, /Vanitas vanitatum et omnia vanitas/.
Young La Baudraye did not die, but he owed his life to habits of
monastic strictness; to the economy of action which Fontenelle
preached as the religion of the invalid; and, above all, to the air of
Sancerre and the influence of its fine elevation, whence a panorama
over the valley of the Loire may be seen extending for forty leagues.
From 1802 to 1815 young La Baudraye added several plots to his
vineyards, and devoted himself to the culture of the vine. The
Restoration seemed to him at first so insecure that he dared not go to
Paris to claim his debts; but after Napoleon's death he tried to turn
his father's collection of autographs into money, though not
 The Muse of the Department |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson: Queensferry Road; in front, Corstorphine Hill raised its
snow-bedabbled, darkling woods against the sky. John looked
all about him, drinking the clear air like wine; then his
eyes returned to the cabman's face as he sat, not
ungleefully, awaiting John's communication, with the air of
one looking to be tipped.
The features of that face were hard to read, drink had so
swollen them, drink had so painted them, in tints that varied
from brick-red to mulberry. The small grey eyes blinked, the
lips moved, with greed; greed was the ruling passion; and
though there was some good nature, some genuine kindliness, a
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