Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walden by Henry David Thoreau:

in a drop of vinegar. Which would have advanced the most at the end of a month -- the boy who had made his own jackknife from the ore which he had dug and smelted, reading as much as would be necessary for this -- or the boy who had attended the lectures on metallurgy at the Institute in the meanwhile, and had received a Rodgers' penknife from his father? Which would be most likely to cut his fingers?... To my astonishment I was informed on leaving college that I had studied navigation! -- why, if I had taken one turn down the harbor I should have known more about it. Even the poor student studies and is taught only political economy, while that economy of living which is synonymous with philosophy is not even sincerely


Walden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Recruit by Honore de Balzac:

Dey were concentrated on a single sentiment,--that of motherhood. The happiness and pleasure of which her married life was deprived, she found in the passionate love she bore her son. She loved him not only with the pure and deep devotion of a mother, but with the coquetry of a mistress, and the jealousy of a wife. She was miserable away from him, uneasy at his absence, could never see him enough, and loved only through him and for him. To make men understand the strength of this feeling, it suffices to add that the son was not only the sole child of Madame de Dey, but also her last relation, the only being in the world to whom the fears and hopes and joys of her life could be naturally attached.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac:

presents still stronger arguments against God. Where, then, is progress? If all things are indeed moving toward perfection why do we die young? why do not nations perpetuate themselves? The world having issued from God and being contained in God can it be stationary? Do we live once, or do we live always? If we live once, hurried onward by the march of the Great-Whole, a knowledge of which has not been given to us, let us act as we please. If we are eternal, let things take their course. Is the created being guilty if he exists at the instant of the transitions? If he sins at the moment of a great transformation will he be punished for it after being its victim? What becomes of the Divine goodness if we are not transferred to the regions of the blest


Seraphita
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Far From the Madding Crowd by Thomas Hardy:

run across to Farmer Boldwood's and tell him that much." She then rose; but before retiring, addressed a few words to them with a pretty dignity, to which her mourning dress added a soberness that was hardly to be found in the words themselves. "Now mind, you have a mistress instead of a master I don't yet know my powers or my talents in farming; but I shall do my best, and if you serve me well, so shall I serve you. Don't any unfair ones among you (if there are any such, but I hope not) suppose that


Far From the Madding Crowd