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Today's Stichomancy for Rachel Weisz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Modeste Mignon by Honore de Balzac:

no visible rent in his reputation, if he has the necessary fortune, if he comes from a college or a law-school and so fulfils the popular ideas of education, and if he wears his clothes with a gentlemanly air, he is allowed to meet the young lady, whose mother has ordered her to guard her tongue, to let no sign of her heart or soul appear on her face, which must wear the smile of a danseuse finishing a pirouette. These commands are coupled with instructions as to the danger of revealing her real character, and the additional advice of not seeming alarmingly well educated. If the settlements have all been agreed upon, the parents are good- natured enough to let the pair see each other for a few moments;


Modeste Mignon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dunwich Horror by H. P. Lovecraft:

brings the mountains in view above the deep woods, the feeling of strange uneasiness is increased. The summits are too rounded and symmetrical to give a sense of comfort and naturalness, and sometimes the sky silhouettes with especial clearness the queer circles of tall stone pillars with which most of them are crowned.

Gorges and ravines of problematical depth intersect the way, and the crude wooden bridges always seem of dubious safety. When the road dips again there are stretches of marshland that one instinctively dislikes, and indeed almost fears at evening when unseen whippoorwills chatter and the fireflies come out in abnormal profusion to dance to the raucous, creepily insistent rhythms


The Dunwich Horror
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

about the huts, and went off naked with only their blankets and the ammunition on their heads. A nigger man met them twenty miles off, and he said they were skooting up for Lo Magundi's country as fast as they could go.

"And do you know," said Peter, striking his knee, and looking impressively across the fire at the stranger; "what I'm as sure of as that I'm sitting here? It's that that nigger I caught at my hut, that day, was her nigger husband! He'd come to fetch her that time; and when she saw she couldn't get away without our catching her, she got the cartridges for him!" Peter paused impressively between the words. "And now she's gone back to him. It's for him she's taken that ammunition!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Breaking Point by Mary Roberts Rinehart:

she gave her young body. Exquisitely pretty, too.

She sat down on Elizabeth's bed with a sigh.

"I really don't know what to do with father," she said. "He flies off at a tangent over the smallest things. Elizabeth dear, can you lend me twenty dollars? I'll get my allowance on Tuesday."

"I can give you ten."

"Well, ask mother for the rest, won't you? You needn't say it's for me. I'll give it to you Tuesday."

"I'm not going to mother, Nina. She has had a lot of expenses this month."

"Then I'll borrow it from Wallie Sayre," Nina said, accepting her


The Breaking Point