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Today's Stichomancy for Ray Bradbury

The first excerpt represents the past or something you must release, and is drawn from The Autobiography of Benjamin Franklin by Benjamin Franklin:

and Virginia to collect waggons. I stayed with him several days, din'd with him daily, and had full opportunity of removing all his prejudices, by the information of what the Assembly had before his arrival actually done, and were still willing to do, to facilitate his operations. When I was about to depart, the returns of waggons to be obtained were brought in, by which it appear'd that they amounted only to twenty-five, and not all of those were in serviceable condition. The general and all the officers were surpris'd, declar'd the expedition was then at an end, being impossible, and exclaim'd against the ministers for ignorantly landing them in a country destitute of the means of conveying their stores, baggage,


The Autobiography of Benjamin Franklin
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Brothers by Honore de Balzac:

making your acquaintance and you have enriched my studio--"

"Yes," said Flore, "instead of enlightening your uncle on the value of his pictures, which is now estimated at over one hundred thousand francs, you have packed them off in a hurry to Paris. Poor dear man! he is no better than a baby! We have just been told of a little treasure at Bourges,--what did they call it? a Poussin,--which was in the choir of the cathedral before the Revolution and is now worth, all by itself, thirty thousand francs."

"That was not right of you, my nephew," said Jean-Jacques, at a sign from Max, which Joseph could not see.

"Come now, frankly," said the soldier, laughing, "on your honor, what

The third excerpt represents the future or something you must embrace, and is drawn from The Mansion by Henry van Dyke:

but of wealth prudently applied. Standing on a corner of the Avenue no longer fashionable for residence, it looked upon the swelling tide of business with an expression of complacency and half-disdain.

The house was not beautiful. There was nothing in its straight front of chocolate-colored stone, its heavy cornices, its broad, staring windows of plate glass, its carved and bronze-bedecked mahogany doors at the top of the wide stoop, to charm the eye or fascinate the imagination.