| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon: breastplate, and thigh-pieces;[8] which latter may at the same time
serve as cuisses for the mounted man. Beyond all else, the horse's
belly, being the most vital and defenceless part, should be protected.
It is possible to protect it with the saddle-cloth. The saddle itself
should be of such sort and so stitched as to give the rider a firm
seat, and yet not gall the horse's back.
[8] Cf. "Cyrop." VI. iv. 1; VII. i. 2.
As regards the limbs in general, both horse and rider may be looked
upon as fully armed. The only parts remaining are the shins and feet,
which of course protrude beyond the cuisses, but these also may be
armed by the addition of gaiters made of leather like that used for
 On Horsemanship |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Polly of the Circus by Margaret Mayo: "And me a-waiting to give him Mrs. Elverson's message," piped
Elverson.
"The church bore all this in silence so long as that girl was
sick," snapped Miss Perkins. "But now she's perfectly well, and
still a-hanging on. No wonder folks are talking."
"Who's talking?" thundered Strong.
"Didn't you know?" simpered Mrs. Willoughby, not knowing herself
nor caring, so long as the suspicion grew.
"Know what?" yelled the excited deacon. Mrs. Willoughby
floundered. Miss Perkins rushed into the breach.
"Well, if _I_ was deacon of this church, it seems to me I'd know
|