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Today's Stichomancy for Rene Magritte

The first excerpt represents the past or something you must release, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

over a stone breastwork they trilled cheerily; under an arch they performed a metallic cymballing, and at Durnover Hole they hissed. The spot at which their instrumentation rose loudest was a place called Ten Hatches, whence during high springs there proceeded a very fugue of sounds.

The river here was deep and strong at all times, and the hatches on this account were raised and lowered by cogs and a winch. A patch led from the second bridge over the highway (so often mentioned) to these Hatches, crossing the stream at their head by a narrow plank-bridge. But after night-fall human beings were seldom found going that way,


The Mayor of Casterbridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Start in Life by Honore de Balzac:

the great world, or, indeed, known anything about it, put themselves into their best clothes on the following day, impatient enough to behold, and be presented to the Mexican Marquise de las Florentinas y Cabirolos.

"What luck," said Oscar to Godeschal, as they were getting up in the morning, "that I had just ordered a new coat and trousers and waistcoat, and that my dear mother had made me that fine outfit! I have six frilled shirts of fine linen in the dozen she made for me. We shall make an appearance! Ha! ha! suppose one of us were to carry off the Creole marchioness from that Georges Marest!"

"Fine occupation that, for a clerk in our office!" cried Godeschal.

The third excerpt represents the future or something you must embrace, and is drawn from A Tramp Abroad by Mark Twain:

and that there is no arguing the fact away by any system of reasoning whatsoever.

I can believe that. There are women who have an indefinable charm in their faces which makes them beautiful to their intimates, but a cold stranger who tried to reason the matter out and find this beauty would fail. He would say to one of these women: This chin is too short, this nose is too long, this forehead is too high, this hair is too red, this complexion is too pallid, the perspective of the entire composition is incorrect; conclusion, the woman is not beautiful.