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Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

Knoll refused to speak at all, or else simply repeated what he had said before. This second examination took place early the next morning, but Muller was not present. He was taking a walk in Hietzing.

When they took Johann Knoll in the police wagon to the City Prison, Muller was just sauntering slowly through the street where the murder had been committed. And as the door of the cell shut clangingly behind the man whose face was distorted in impotent rage and despair, Joseph Muller was standing in deep thought before the broken willow twig, which now hung brown and dry across the planks of the fence. He looked at it for a long time. That is, he seemed

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Confessio Amantis by John Gower:

This king began to studie and muse, What strange matiere he myhte use The knyhtes wittes to confounde; And ate laste he hath it founde, And for the knyht anon he sente, That he schal telle what he mente. Upon thre pointz stod the matiere Of questions, as thou schalt hiere. The ferste point of alle thre Was this: "What thing in his degre 3100 Of al this world hath nede lest,


Confessio Amantis
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

girl beside a stout lady whose every movement weighs down the air with patchouli. Their faint, delicate scent is refinement itself; and is there anything in the world more charming than the sprightly way they hold up their little faces to the sun. I have heard them called bold and flaunting, but to me they seem modest grace itself, only always on the alert to enjoy life as <109> much as they can and not afraid of looking the sun or anything else above them in the face. On the grass there are two beds of them carpeted with forget-me-nots; and in the grass, in scattered groups, are daffodils and narcissus. Down the wilder shrubbery walks foxgloves and mulleins will (I hope) shine majestic; and one cool corner, backed by a group of firs,


Elizabeth and her German Garden
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Devil's Dictionary by Ambrose Bierce:

Red Riding Hood and the Sugar Trust," "Beauty and the Brisbane," "The Seven Aldermen of Ephesus," "Rip Van Fairbanks," and so forth. The fable with Goethe so affectingly relates under the title of "The Erl- King" was known two thousand years ago in Greece as "The Demos and the Infant Industry." One of the most general and ancient of these myths is that Arabian tale of "Ali Baba and the Forty Rockefellers."

LOSS, n. Privation of that which we had, or had not. Thus, in the latter sense, it is said of a defeated candidate that he "lost his election"; and of that eminent man, the poet Gilder, that he has "lost his mind." It is in the former and more legitimate sense, that the word is used in the famous epitaph:


The Devil's Dictionary