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Today's Stichomancy for Rene Magritte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedrus by Plato:

mortal steed, if he has not been properly trained, keeps them down and sinks them towards the earth. Of the world which is beyond the heavens, who can tell? There is an essence formless, colourless, intangible, perceived by the mind only, dwelling in the region of true knowledge. The divine mind in her revolution enjoys this fair prospect, and beholds justice, temperance, and knowledge in their everlasting essence. When fulfilled with the sight of them she returns home, and the charioteer puts up the horses in their stable, and gives them ambrosia to eat and nectar to drink. This is the life of the gods; the human soul tries to reach the same heights, but hardly succeeds; and sometimes the head of the charioteer rises above, and sometimes sinks below, the fair vision, and he is at last

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Passionate Pilgrim by William Shakespeare:

Unskilful in the world's false forgeries, Thus vainly thinking that she thinks me young, Although I know my years be past the best, I smiling credit her false-speaking tongue, Outfacing faults in love with love's ill rest. But wherefore says my love that she is young? And wherefore say not I that I am old? O, love's best habit is a soothing tongue, And age, in love, loves not to have years told. Therefore, I'll lie with love, and love with me, Since that our faults in love thus smother'd be.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Ruling Passion by Henry van Dyke:

menacing; the hidden pathway through the foam where the canoe could run out securely and reach a favourite haunt of the ouananiche, the fish that loves the wildest water,--all these secrets were known to Jean. He read the river like a book. He loved it. He also respected it. He knew it too well to take liberties with it.

The camp, that June, was beside the Rapide des Cedres. A great ledge stretched across the river; the water came down in three leaps, brown above, golden at the edge, white where it fell. Below, on the left bank, there was a little cove behind a high point of rocks, a curving beach of white sand, a gentle slope of ground, a tent half hidden among the birches and balsams. Down the river, the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Marie by H. Rider Haggard:

should be delayed, the Seven Stars sailed with a favouring wind. Three days later we entered the harbour of Delagoa, a sheet of water many miles long and broad. Notwithstanding its shallow entrance, it is the best natural port in Southeastern Africa, but now, alas! lost to the English.

Six hours later we anchored opposite a sandbank on which stood a dilapidated fort and a dirty settlement known as Lorenzo Marquez, where the Portuguese kept a few soldiers, most of them coloured. I pass over my troubles with the Customs, if such they could be called. Suffice it to say that ultimately I succeeded in landing my goods, on which the duty chargeable was apparently enormous. This I did by distributing


Marie