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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lily of the Valley by Honore de Balzac:

learn, my dear observer, that in youth a man's ill qualities are restrained by society, checked in their swing by the play of passions, subdued under the fear of public opinion; later, a middle-aged man, living in solitude, shows his native defects, which are all the more terrible because so long repressed. Human weaknesses are essentially base; they allow of neither peace nor truce; what you yield to them to-day they exact to-morrow, and always; they fasten on concessions and compel more of them. Power, on the other hand, is merciful; it conforms to evidence, it is just and it is peaceable. But the passions born of weakness are implacable. Monsieur de Mortsauf takes an absolute pleasure in getting the better of me; and he who would


The Lily of the Valley
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

China. There were tumble-bugs, grasshoppers, large beetles, mantis, praying mantis, toads and scorpions, together with others never seen outside of China, and some never seen at all, the legs and feelers all being made of wire. In another package he had a dozen dancing dolls. They were made of clay, were an inch and a half long, dressed with paper, and had small wires protruding the sixteenth of an inch below the bottom of the skirt. He put them all on a brass tray, the edge of which he struck with a small stick to make it vibrate, thus causing the dancers to turn round

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Main Street by Sinclair Lewis:

off from folks as I can get." He turned sharply away, but he did not walk with his former spring. His shoulders seemed old.

It was said that before he went he cursed the town. There was talk of arresting him, of riding him on a rail. It was rumored that at the station old Champ Perry rebuked him, "You better not come back here. We've got respect for your dead, but we haven't got any for a blasphemer and a traitor that won't do anything for his country and only bought one Liberty Bond."

Some of the people who had been at the station declared that

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

that, but just as she swung the gate open, a happy thought struck those four little puppies' minds, and as she started to run back to the house, all four of them buried their sharp little teeth in the frill of Priscilla's wrapper.

Still Tattine succeeded in making her way across the lawn back to the door, although she had four puppies in tow and was almost weak from laughing.

She knew perfectly well what a funny picture she must make, with the wrapper that was so much too large for her, only kept in place by the big puff sleeves: and with the puppies pulling away for dear life, it the train. When she reached the screen door, she had a tussle with them, one by one, taking a sort of reef in the trailing skirt as each puppy was successfully disposed of, until all of it was clear of the sharp little teeth, and she could bang the