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Today's Stichomancy for Richard Branson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Exiles by Honore de Balzac:

the water, and studying the mysteries of the sky. Lost in one of the trances that were frequent to him, he traveled from sphere to sphere, from vision to vision, listening for obscure rustlings and the voices of angels, and believing that he heard them; seeing, or fancying that he saw, a divine radiance in which he lost himself; striving to attain the far-away goal, the source of all light, the fount of all harmony.

Presently the vast clamor of Paris, brought down on the current, was hushed; lights were extinguished one by one in the houses; silence spread over all; and the huge city slept like a tired giant.

Midnight struck. The least noise, the fall of a leaf, or the flight of a jackdaw changing its perching-place among the pinnacles of Notre-

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jungle Book by Rudyard Kipling:

polished till it winked. I gave a cheer all by myself for Billy the mule, but he never looked right or left.

The rain began to fall again, and for a while it was too misty to see what the troops were doing. They had made a big half circle across the plain, and were spreading out into a line. That line grew and grew and grew till it was three-quarters of a mile long from wing to wing--one solid wall of men, horses, and guns. Then it came on straight toward the Viceroy and the Amir, and as it got nearer the ground began to shake, like the deck of a steamer when the engines are going fast.

Unless you have been there you cannot imagine what a


The Jungle Book
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from St. Ives by Robert Louis Stevenson:

It was but a little party at Mr. Robbie's - by which, I do not so much mean that there were few people, for the rooms were crowded, as that there was very little attempted to entertain them. In one apartment there were tables set out, where the elders were solemnly engaged upon whist; in the other and larger one, a great number of youth of both sexes entertained themselves languidly, the ladies sitting upon chairs to be courted, the gentlemen standing about in various attitudes of insinuation or indifference. Conversation appeared the sole resource, except in so far as it was modified by a number of keepsakes and annuals which lay dispersed upon the tables, and of which the young beaux displayed the illustrations to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Cruise of the Jasper B. by Don Marquis:

cheerful ship this mornin', Mr. Cleggett, it ain't a cheerful ship."

But Cleggett's nature was too lively and vigorous to remain clouded for long. By the time the red disk of the sun had crept above the eastern horizon he had shaken off his fit of the blues.

The sun looked large and bland and friendly, and, somehow, the partisan of integrity and honor. He drew strength from it. Cleggett, like all poetic souls, was responsive to these familiar recurrent phenomena of nature.

The sun did him another office. It showed him a peculiar tableau vivant on the eastern bank of the canal, near the house boat