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Today's Stichomancy for Richard Wilhelm

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthyphro by Plato:

of being led, or carried because it is in the state of being carried, but the converse of this. And now I think, Euthyphro, that my meaning will be intelligible; and my meaning is, that any state of action or passion implies previous action or passion. It does not become because it is becoming, but it is in a state of becoming because it becomes; neither does it suffer because it is in a state of suffering, but it is in a state of suffering because it suffers. Do you not agree?

EUTHYPHRO: Yes.

SOCRATES: Is not that which is loved in some state either of becoming or suffering?

EUTHYPHRO: Yes.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

merriment from his eyes and then added: "But I can get on and off Bilbil's back with ease."

He now opened the cage and the goat deliberately walked out and looked about him in a sulky manner. One of the rowers brought from the boat a saddle made of red velvet and beautifully embroidered with silver thistles, which he fastened upon the goat's back. The fat King put his leg over the saddle and seated himself comfortably, saying:

"Lead on, my noble host, and we will follow."

"What! Up that steep hill?" cried the goat. "Get off


Rinkitink In Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

for - to a long mythical spell of adverse wind conditions, and told truly of our landing on the farther foothills. Fortunately our tale sounded realistic and prosaic enough not to tempt any of the others into emulating our flight. Had any tried to do that, I would have used every ounce of my persuasion to stop them - and I do not know what Danforth would have done. While we were gone, Pabodie, Sherman, Ropes, McTighe, and Williamson had worked like beavers over Lake’s two best planes, fitting them again for use despite the altogether unaccountable juggling of their operative mechanism. We decided to load all the planes the next morning


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Arrow by Robert Louis Stevenson:

safe on the high seas - I and my man Tom. But ye took my ship, gossip, and I'm a beggar; and for my man Tom, a knave fellow in russet shot him down. 'Murrain!' quoth he, and spake never again. 'Murrain' was the last of his words, and the poor spirit of him passed. 'A will never sail no more, will my Tom.'"

Dick was seized with unavailing penitence and pity; he sought to take the skipper's hand, but Arblaster avoided his touch.

"Nay," said he, "let be. Y' have played the devil with me, and let that content you."

The words died in Richard's throat. He saw, through tears, the poor old man, bemused with liquor and sorrow, go shambling away,