| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Alkahest by Honore de Balzac: bones were very prominent, which made the cheeks themselves, already
withered, seem more sunken; his mouth, full of sweetness, was squeezed
in between the nose and a short chin, which projected sharply. The
shape of the face, however, was long rather than oval, and the
scientific doctrine which sees in every human face a likeness to an
animal would have found its confirmation in that of Balthazar Claes,
which bore a strong resemblance to a horse's head. The skin clung
closely to the bones, as though some inward fire were incessantly
drying its juices. Sometimes, when he gazed into space, as if to see
the realization of his hopes, it almost seemed as though the flames
that devoured his soul were issuing from his nostrils.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayor of Casterbridge by Thomas Hardy: It might have been supposed that, given a girl rapidly
becoming good-looking, comfortably circumstanced, and for
the first time in her life commanding ready money, she would
go and make a fool of herself by dress. But no. The
reasonableness of almost everything that Elizabeth did was
nowhere more conspicuous than in this question of clothes.
To keep in the rear of opportunity in matters of indulgence
is as valuable a habit as to keep abreast of opportunity in
matters of enterprise. This unsophisticated girl did it by
an innate perceptiveness that was almost genius. Thus she
refrained from bursting out like a water-flower that spring,
 The Mayor of Casterbridge |