Today's Stichomancy for Ricky Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

one early morning when the tide turned, and saw the first rays of sunrise on the thin angular towers of that dismal basalt town. And for two days they sailed eastward in sight of green coasts, and saw often the pleasant fishing towns that climbed up steeply with their red roofs and chimney-pots from old dreaming wharves and beaches where nets lay drying. But on the third day they turned sharply south where the roll of water was stronger, and soon passed from sight of any land. On the fifth day the sailors were nervous, but the captain apologized for their fears, saying that the ship was about to pass over the weedy walls and broken columns of a sunken city too old for memory, and that when the water was clear

The Dream-Quest of Unknown Kadath

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

that Benham had intended to call it THE ARISTOCRATIC LIFE, and that he had tried at some other time the title of AN ESSAY ON ARISTOCRACY. Moreover, it would seem that towards the end he had been disposed to drop the word "aristocratic" altogether, and adopt some such phrase as THE LARGER LIFE. Once it was LIFE SET FREE. He had fallen away more and more from nearly everything that one associates with aristocracy--at the end only its ideals of fearlessness and generosity remained.

Of all these titles THE ARISTOCRATIC LIFE seemed at first most like a clue to White. Benham's erratic movements, his sudden impulses, his angers, his unaccountable patiences, his journeys to strange

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

had been answered already, without his being aware of it. Be that as it may, about dawn Don Carlos's heavy breathing ceased; he fell into a quiet sleep; and when he awoke all perceived at once that he was saved.

He did not recover his sight, seemingly on account of the erysipelas, for a week more. He then opened his eyes upon the miraculous image of Atocha, and vowed that, if he recovered, he would give to the Virgin, at four different shrines in Spain, gold plate of four times his weight; and silver plate of seven times his weight, when he should rise from his couch. So on the 6th of June he rose, and was weighed in a fur coat and a robe of damask, and his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from King Lear by William Shakespeare:

What are you, sir? Glou. Away, and let me die. Edg. Hadst thou been aught but gossamer, feathers, air, So many fadom down precipitating, Thou'dst shiver'd like an egg; but thou dost breathe; Hast heavy substance; bleed'st not; speak'st; art sound. Ten masts at each make not the altitude Which thou hast perpendicularly fell. Thy life is a miracle. Speak yet again. Glou. But have I fall'n, or no? Edg. From the dread summit of this chalky bourn.

King Lear