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Today's Stichomancy for Ridley Scott

The first excerpt represents the past or something you must release, and is drawn from Little Rivers by Henry van Dyke:

head of Pelmo. Across the broad vale of the Boite, Antelao stood beside Sorapis, like a campanile beside a cathedral, and Cristallo towered above the green pass of the Three Crosses. Through that opening we could see the bristling peaks of the Sextenthal. Sweeping around in a wider circle from that point, we saw, beyond the Durrenstein, the snow-covered pile of the Gross-Glockner; the crimson bastions of the Rothwand appeared to the north, behind Tofana; then the white slopes that hang far away above the Zillerthal; and, nearer, the Geislerspitze, like five fingers thrust into the air; behind that, the distant Oetzthaler Mountain, and just a single white glimpse of the highest peak of the Ortler

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Republic by Plato:

eighth and ninth books, also form links of connexion in long passages, or are used to recall previous discussions.

Plato is most true to the character of his master when he describes him as 'not of this world.' And with this representation of him the ideal state and the other paradoxes of the Republic are quite in accordance, though they cannot be shown to have been speculations of Socrates. To him, as to other great teachers both philosophical and religious, when they looked upward, the world seemed to be the embodiment of error and evil. The common sense of mankind has revolted against this view, or has only partially admitted it. And even in Socrates himself the sterner judgement of the multitude at times passes into a sort of ironical pity or love. Men


The Republic
The third excerpt represents the future or something you must embrace, and is drawn from The Aspern Papers by Henry James:

that her mind was essentially vague about dates and the order in which events had occurred), there was scarcely a week that they had not some visitor or did not make some delightful passeggio in the city. They had seen all the curiosities; they had even been to the Lido in a boat (she spoke as if I might think there was a way on foot); they had had a collation there, brought in three baskets and spread out on the grass. I asked her what people they had known and she said, Oh! very nice ones--the Cavaliere Bombicci and the Contessa Altemura, with whom they had had a great friendship. Also English people-- the Churtons and the Goldies and Mrs. Stock-Stock, whom