| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prince Otto by Robert Louis Stevenson: his companion's face. He started. 'The Prince!' he cried,
saluting, with another yaw that came near dismounting him. 'I beg
your pardon, your Highness, not to have recognised you at once.'
The Prince was vexed out of his self-possession. 'Since you know
me,' he said, 'it is unnecessary we should ride together. I will
precede you, if you please.' And he was about to set spur to the
grey mare, when the half-drunken fellow, reaching over, laid his
hand upon the rein.
'Hark you,' he said, 'prince or no prince, that is not how one man
should conduct himself with another. What! You'll ride with me
incog. and set me talking! But if I know you, you'll preshede me,
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Resurrection by Leo Tolstoy: done in Kousminski, and, if possible, that same evening.
CHAPTER IV.
THE PEASANTS' LOT.
When Nekhludoff came out of the gate he met the girl with the
long earrings on the well-trodden path that lay across the
pasture ground, overgrown with dock and plantain leaves. She had
a long, brightly-coloured apron on, and was quickly swinging her
left arm in front of herself as she stepped briskly with her fat,
bare feet. With her right arm she was pressing a fowl to her
stomach. The fowl, with red comb shaking, seemed perfectly calm;
he only rolled up his eyes and stretched out and drew in one
 Resurrection |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Idylls of the King by Alfred Tennyson: Thou hast not lost thyself to save thyself
As Galahad." When the hermit made an end,
In silver armour suddenly Galahad shone
Before us, and against the chapel door
Laid lance, and entered, and we knelt in prayer.
And there the hermit slaked my burning thirst,
And at the sacring of the mass I saw
The holy elements alone; but he,
"Saw ye no more? I, Galahad, saw the Grail,
The Holy Grail, descend upon the shrine:
I saw the fiery face as of a child
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Romeo and Juliet by William Shakespeare: Cap. How canst thou trie them so?
Ser. Marrie sir, 'tis an ill Cooke that cannot licke his
owne fingers: therefore he that cannot licke his fingers
goes not with me
Cap. Go be gone, we shall be much vnfurnisht for this
time: what is my Daughter gone to Frier Lawrence?
Nur. I forsooth
Cap. Well he may chance to do some good on her,
A peeuish selfe-wild harlotry it is.
Enter Iuliet.
Nur. See where she comes from shrift
 Romeo and Juliet |