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Today's Stichomancy for Robert A. Heinlein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oedipus Trilogy by Sophocles:

Take hence your suppliant wands, go summon hither The Theban commons. With the god's good help Success is sure; 'tis ruin if we fail. [Exeunt OEDIPUS and CREON]

PRIEST Come, children, let us hence; these gracious words Forestall the very purpose of our suit. And may the god who sent this oracle Save us withal and rid us of this pest. [Exeunt PRIEST and SUPPLIANTS]

CHORUS


Oedipus Trilogy
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Meno by Plato:

SOCRATES: Do you observe, Meno, that I am not teaching the boy anything, but only asking him questions; and now he fancies that he knows how long a line is necessary in order to produce a figure of eight square feet; does he not?

MENO: Yes.

SOCRATES: And does he really know?

MENO: Certainly not.

SOCRATES: He only guesses that because the square is double, the line is double.

MENO: True.

SOCRATES: Observe him while he recalls the steps in regular order. (To

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from American Notes by Rudyard Kipling:

us both be of good heart, and volunteered to take the rod from my hands.

I would rather have died among the pebbles than surrender my right to play and land a salmon, weight unknown, with an eight-ounce rod. I heard California, at my ear, it seemed, gasping: "He's a fighter from Fightersville, sure!" as his fish made a fresh break across the stream. I saw Portland fall off a log fence, break the overhanging bank, and clatter down to the pebbles, all sand and landing-net, and I dropped on a log to rest for a moment. As I drew breath the weary hands slackened their hold, and I forgot to give him the butt.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

into the small hours of the morning. Reshid was the favourite nephew and heir of Abdulla, and that loving uncle, meeting Almayer one day by the riverside, stopped politely to exchange civilities and to ask solemnly for an interview. Almayer suspected some attempt at a swindle, or at any rate something unpleasant, but of course consented with a great show of rejoicing. Accordingly the next evening, after sunset, Abdulla came, accompanied by several other grey-beards and by his nephew. That young man--of a very rakish and dissipated appearance-- affected the greatest indifference as to the whole of the proceedings. When the torch-bearers had grouped themselves below


Almayer's Folly