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Today's Stichomancy for Robert Anton Wilson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Little Rivers by Henry van Dyke:

none to travel it; a long, ghastly scar on the bosom of the earth.

The life of a river, like that of a human being, consists in the union of soul and body, the water and the banks. They belong together. They act and react upon each other. The stream moulds and makes the shore; hollowing out a bay here, and building a long point there; alluring the little bushes close to its side, and bending the tall slim trees over its current; sweeping a rocky ledge clean of everything but moss, and sending a still lagoon full of white arrow-heads and rosy knot-weed far back into the meadow. The shore guides and controls the stream; now detaining and now advancing it; now bending it in a hundred sinuous curves, and now

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

Ryabinin did. Ryabinin's children will have means of livelihood and education, while yours maybe will not!"

"Well, you must excuse me, but there's something mean in this counting. We have our business and they have theirs, and they must make their profit. Anyway, the thing's done, and there's an end of it. And here come some poached eggs, my favorite dish. And Agafes Mihalovna will give us that marvelous herb-brandy..."

Stepan Arkadyevitch sat down at the table and began joking with Agafea Mihalovna, assuring her that it was long since he had tasted such a dinner and such a supper.

"Well, you do praise it, anyway," said Agafes Mihalovna, "but


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

practically inaccessible for nine miles of its course by reason of the steepness of its banks, which are long, shaggy precipices, and the fury of its current, in which no boat can live. We heard its voice as we approached through the forest, and could hardly tell whether it was far away or near.

There is a perspective of sound as well as of sight, and one must have some idea of the size of a noise before one can judge of its distance. A mosquito's horn in a dark room may seem like a trumpet on the battlements; and the tumult of a mighty stream heard through an unknown stretch of woods may appear like the babble of a mountain brook close at hand.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pierrette by Honore de Balzac:

at her window, this spinster seemed tall from the length and angularity of her face, which recalled the exaggerated proportions of certain Swiss heads. The character of their countenance--the features being marked by a total want of harmony--was that of hardness in the lines, sharpness in the tones; while an unfeeling spirit, pervading all, would have filled a physiognomist with disgust. These characteristics, fully visible at this moment, were usually modified in public by a sort of commercial smile,--a bourgeois smirk which mimicked good-humor; so that persons meeting with this old maid might very well take her for a kindly woman. She owned the house on shares with her brother. The brother, by-the-bye, was sleeping so tranquilly